January 31, 2025 Sundance 2025 Review: Rachael Abigail Holder’s Lovely “Love, Brooklyn” Shows a Sensitivity to Change
January 30, 2025 Sundance 2025 Review: Sophie Brooks’ “Oh, Hi!” Makes the Most of Some Questionable Bedroom Behavior
January 31, 2025 Sundance 2025 Review: Rachael Abigail Holder’s Lovely “Love, Brooklyn” Shows a Sensitivity to Change
January 30, 2025 Sundance 2025 Review: Sophie Brooks’ “Oh, Hi!” Makes the Most of Some Questionable Bedroom Behavior
July 6, 2020 Sheffield Doc/Fest 2020 Review: One Systemic Failure Leads to Another in Anthony Baxter’s Gutting Exposé “Flint”
March 5, 2019 True/False ’19 Review: James Blagden and Roni Moore Make “Midnight in Paris” a Prom Night to Remember
