The Moveable Fest
The Moveable Fest
  • Interviews
    Interviews

    Max Lowe on How Filmmaking Could Capture — and Facilitate — His Family Rebuilding Itself in “Torn”

    Rex Miller on Celebrating the Transcendence of Arthur Ashe in “Citizen Ashe”

    Ryusuke Hamaguchi on Delivering the Definitive Double Feature of 2021 with “Wheel of Fortune and Fantasy” and “Drive My Car”

  • Reviews
    Reviews

    DOC NYC 2021 Review: Holly Morris’ “Exposure” Charts an Expedition That Can’t Be Measured in Miles

    DOC NYC 2021 Review: A Football Team Has Plenty to Tackle Off the Field in “Messwood”

    DOC NYC 2021 Review: What’s In a Name Leaves a Lot to Answer For in “Grandpa Was an Emperor”

  • The Mentaculist
    The Mentaculist
    Matt Damon in "Euro Trip"

    Matt Damon: A Career in Cameos

    Independence Day: My Street

    Five Movie Marketing Miscues That Blew Up in All the Wrong Ways

    Lucas Black and Nathalie Kelley in "Fast & Furious: Tokyo Drift"

    Justin Lin on “Tokyo Drift” and the Four Hours That Saved the
    “Fast & Furious” Franchise

  • Retrospective
    Retrospective

    How Joan Micklin Silver’s “Hester Street” Transcended the Idea of Hollywood Being a One-Horse Town

    “Every Day Was Like, ‘How Do We Pull This Off?'” Martin Brest on “Midnight Run”

    How to Be a Los Angeles Cinephile in 2020 – Even If You’re From Outside of Town

  • Trending
    NowWeekMonth

    Rex Miller on Celebrating the Transcendence of Arthur Ashe in “Citizen Ashe”

    Torquil Jones and Nirmal Purja on a Life Moving Mountains in “14 Peaks: Nothing is Impossible”

    Interview: Benjamin Ree, Barbora Kysilkova and Karl-Bertil Nordland on Shifting Perspectives with “The Painter and the Thief”

    Jessica Earnshaw on Exploring the Roots of Generational Trauma in “Jacinta”

    Christopher Frierson on Carrying the Weight of the World on His Shoulders with “DMX: Don’t Try to Understand”

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Film Independent

To Live and Screen in L.A.

Danny Boyle on That Time He Made People at Pixar Faint and Getting Psyched for “Trance”

In conversation in Los Angeles, the director took a few notes from his latest thriller to plunge into a conversation about some of the psychological reasons we enjoy films, as well as shared some pretty amusing anecdotes along the way.
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Film NewsTo Live and Screen in L.A.

Joe Carnahan Talks About the Alternate Ending He Shot For “The Grey”

Mildred Loving, Peggy Loving and Richard Loving in "The Loving Story"
Interviews

Interview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”

The Mentaculist

Playing God: 13 Actors Who Dared To Be the Deity in Movies

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