BAMcinemafest 2022 Interview: Lynne Sachs and Paolo Javier on Crafting a Clever Turn of Phrase with “Swerve”
Tribeca 2022 Review: No Mourning is Allowed with Death on the Horizon in the Beautifully Bittersweet “Pink Moon”
“All My Work is the Desire to Live Fully, To Grab it and to Swallow Life”: Mira Nair on a Career Showing the Unseen
Joachim Trier on “The Worst Person in the World” Epilogue, Freezing Oslo in Time and More with Paul Thomas Anderson
BAMcinemafest 2022 Interview: Robert Machoian and Rodrigo Ojeda-Beck on Looking Towards Sunset in “The Last Days of August”
BAMcinemafest 2022 Interview: Lynne Sachs and Paolo Javier on Crafting a Clever Turn of Phrase with “Swerve”
ReviewsTellurideTelluride 2021 Review: Emelie Mahdavian’s “Bitterbrush” Looks for Home on the RangeRounding up cattle gives shape to lives otherwise left up to uncertainty in this lovely doc set in the American west. Read Story
ReviewsSundanceSundance ’19 Review: A Family Without a Country Finds a Place in Your Heart in “Midnight Traveler”Filmmaker Hassan Fazili not only gives audiences a remarkable look at the struggle of those seeking political asylum by turning the camera on his own family, but does so with unusually keen perspective. Read Story
Film NewsTo Live and Screen in L.A.Joe Carnahan Talks About the Alternate Ending He Shot For “The Grey”
