Josh Lambert, Yvonne Lambert and Toto Miranda of The Octopus Project on Bringing Out the Beauty of Bigfoot in “Sasquatch Sunset”
Review: Tragedy Brings Together People of Different Walks of Life in Hilla Medalia’s “Mourning in Lod”
SXSW 2024 Review: “Dory Previn: On My Way to Where” Charts the Journey of a Musician Who Brought Together Different Tracks
Composer Kathryn Bostic on Making Silents Golden with “The Flying Ace” and “Something Good – Negro Kiss”
Interviews·8 min readPalm Springs ShortsFest 2023 Interview: Erin Vassilopoulos on a Restless World in “Step Into the Mattress”
Reviews·2 min readReview: An Unpleasant Birth Gives Way to Drew Tobia’s Stunning “See You Next Tuesday”
Interviews·10 min readInterview: Joanna Arnow on Opening Up in “I Hate Myself :)” and “Bad at Dancing”
Reviews·3 min readWoodstock Film Fest 2021 Review: A Self-Imposed Chill Begins to Thaw in the Heartwarming “Kendra and Beth”
Interviews·12 min readInterview: Alex H. Fischer & Rachel Wolther on Staying a Step Ahead with the “Snowy Bing Bongs”
AFI FestInterviews·12 min readAFI Fest ’18 Interview: Eleanore Pienta on Forging Ahead as a Filmmaker with “Ada”
InterviewsSXSW·8 min readSXSW 2021 Interview: Molly Gillis on Where the Spirit Moved Her in “Plaisir”
Film NewsTo Live and Screen in L.A.·3 min readJoe Carnahan Talks About the Alternate Ending He Shot For “The Grey”
Interviews·7 min readInterview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”