Josh Lambert, Yvonne Lambert and Toto Miranda of The Octopus Project on Bringing Out the Beauty of Bigfoot in “Sasquatch Sunset”
SXSW 2024 Review: “Dory Previn: On My Way to Where” Charts the Journey of a Musician Who Brought Together Different Tracks
Composer Kathryn Bostic on Making Silents Golden with “The Flying Ace” and “Something Good – Negro Kiss”
ReviewsSundance·3 min readSundance ’19 Review: There’s Plenty to Envy About Jocelyn DeBoer and Dawn Luebbe’s “Greener Grass”
Greener GrassInterviews·11 min readInterview: Editor Taylor Gianotas on the Deeper Cuts of “Greener Grass”
Greener GrassInterviews·7 min readInterview: Costume Designer Lauren Oppelt on Being Bold with All the Colors of “Greener Grass”
Greener GrassInterviews·7 min readInterview: Composer Samuel Nobles on Getting His Hands Dirty for “Greener Grass”
Greener GrassInterviews·15 min readInterview: Cinematographer Lowell A. Meyer on Looking Beneath the Surface of “Greener Grass”
Greener GrassInterviews·8 min readInterview: Jocelyn deBoer and Dawn Luebbe on Cultivating “Greener Grass”
InterviewsSXSW·8 min readSXSW 2022 Interview: Dawn Luebbe and Natalie Metzger on the Glorious Animal Pageantry of “Dress A Cow”
Film NewsTo Live and Screen in L.A.·3 min readJoe Carnahan Talks About the Alternate Ending He Shot For “The Grey”
Interviews·7 min readInterview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”