Josh Lambert, Yvonne Lambert and Toto Miranda of The Octopus Project on Bringing Out the Beauty of Bigfoot in “Sasquatch Sunset”
Review: Tragedy Brings Together People of Different Walks of Life in Hilla Medalia’s “Mourning in Lod”
SXSW 2024 Review: “Dory Previn: On My Way to Where” Charts the Journey of a Musician Who Brought Together Different Tracks
Composer Kathryn Bostic on Making Silents Golden with “The Flying Ace” and “Something Good – Negro Kiss”
InterviewsTelevision·13 min readInterview: Director of Photography Paul Koestner on the Look of “Louie”
InterviewsSXSW·11 min readSXSW ’16 Interview: Cinematographer Ava Berkofsky on Capturing the Spirit in “Free in Deed”
Interviews·9 min readInterview: Cinematographer Julie Kirkwood on Inhabiting “I Am the Pretty Thing That Lives in the House”
Interviews·10 min readInterview: Madeline Fontaine, Stephane Fontaine & Jean Rabasse on Crafting “Jackie”
Interviews·7 min readInterview: “Transformers” and “Apes” Stereographer Matthew Blute on Expanding the Scope of 3D
Interviews·11 min readInterview: Hillary Spera on Communing with Nature – Human and Otherwise – in “Wildlike”
Interviews·8 min readInterview: Cinematographer James Laxton on Deciding What “Moonlight” Would Look Like
Film NewsTo Live and Screen in L.A.·3 min readJoe Carnahan Talks About the Alternate Ending He Shot For “The Grey”
Interviews·7 min readInterview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”