Marlo McKenzie and Jonathan Parker on an Unlikely Feminist Icon Shaking Things Up in “Carol Doda Topless at the Condor”
SXSW 2024 Review: “Dory Previn: On My Way to Where” Charts the Journey of a Musician Who Brought Together Different Tracks
Composer Kathryn Bostic on Making Silents Golden with “The Flying Ace” and “Something Good – Negro Kiss”
Interviews·10 min readCinematographer Ari Wegner on Looking Past the Plains in “The Power of the Dog”
Interviews·15 min readInterview: Hillary Spera on the Moving Images of “Submission,” “Saturday Church” and “Band-Aid”
Interviews·8 min readInterview: Cinematographer James Laxton on Deciding What “Moonlight” Would Look Like
Interviews·11 min readInterview: Cinematographer Rachel Morrison on Growing Something Special Out of “Mudbound”
Interviews·11 min readInterview: Cinematographer Quyen Tran on the Minute Details of Filming “The Little Hours”
Interviews·10 min readInterview: Madeline Fontaine, Stephane Fontaine & Jean Rabasse on Crafting “Jackie”
Interviews·9 min readInterview: Cinematographer Julie Kirkwood on Inhabiting “I Am the Pretty Thing That Lives in the House”
InterviewsSXSW·11 min readSXSW ’16 Interview: Cinematographer Ava Berkofsky on Capturing the Spirit in “Free in Deed”
Film NewsTo Live and Screen in L.A.·3 min readJoe Carnahan Talks About the Alternate Ending He Shot For “The Grey”
Interviews·7 min readInterview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”