Josh Lambert, Yvonne Lambert and Toto Miranda of The Octopus Project on Bringing Out the Beauty of Bigfoot in “Sasquatch Sunset”
Review: Tragedy Brings Together People of Different Walks of Life in Hilla Medalia’s “Mourning in Lod”
SXSW 2024 Review: “Dory Previn: On My Way to Where” Charts the Journey of a Musician Who Brought Together Different Tracks
Composer Kathryn Bostic on Making Silents Golden with “The Flying Ace” and “Something Good – Negro Kiss”
Interviews·10 min readCinematographer Ari Wegner on Looking Past the Plains in “The Power of the Dog”
Interviews·8 min readInterview: Cinematographer James Laxton on Deciding What “Moonlight” Would Look Like
Interviews·11 min readInterview: Cinematographer Rachel Morrison on Growing Something Special Out of “Mudbound”
InterviewsTelevision·13 min readInterview: Director of Photography Paul Koestner on the Look of “Louie”
Interviews·15 min readInterview: Hillary Spera on the Moving Images of “Submission,” “Saturday Church” and “Band-Aid”
Interviews·7 min readInterview: “Transformers” and “Apes” Stereographer Matthew Blute on Expanding the Scope of 3D
Interviews·9 min readInterview: Cinematographer Julie Kirkwood on Inhabiting “I Am the Pretty Thing That Lives in the House”
Interviews·11 min readInterview: Cinematographer Quyen Tran on the Minute Details of Filming “The Little Hours”
Interviews·11 min readInterview: Hillary Spera on Communing with Nature – Human and Otherwise – in “Wildlike”
Film NewsTo Live and Screen in L.A.·3 min readJoe Carnahan Talks About the Alternate Ending He Shot For “The Grey”
Interviews·7 min readInterview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”