Josh Lambert, Yvonne Lambert and Toto Miranda of The Octopus Project on Bringing Out the Beauty of Bigfoot in “Sasquatch Sunset”
SXSW 2024 Review: “Dory Previn: On My Way to Where” Charts the Journey of a Musician Who Brought Together Different Tracks
Composer Kathryn Bostic on Making Silents Golden with “The Flying Ace” and “Something Good – Negro Kiss”
Interviews·16 min readInterview: Matt Ross on Checking Into “28 Hotel Rooms,” Naked Dancing on Balconies & Filmmaking Infidelity
InterviewsTribeca Film Festival·13 min readInterview: Quinn Shephard on the Good That Came From Not Passing on “Blame”
ReviewsSXSW·2 min readSXSW 2020 Review: Despair Goes Viral in Amy Seimetz’s Killer “She Dies Tomorrow”
Tribeca Film Festival·2 min readTribeca ’12 Review: Fischer and Messina Push “The Giant Mechanical Man” To Do What It Can to Get By
Interviews·9 min readInterview: Olivia DuFault on the Transformation Behind “The True Adventures of Wolfboy”
InterviewsTIFF·11 min readTIFF 2020 Interview: J Blakeson on Taking Great Pains to Make the Wildly Entertaining “I Care a Lot”
Film NewsTo Live and Screen in L.A.·3 min readJoe Carnahan Talks About the Alternate Ending He Shot For “The Grey”
Interviews·7 min readInterview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”