The Moveable Fest
The Moveable Fest
  • Interviews
    Interviews

    Orlando von Einseidel and Hassan Akkad on Rising to the Global Challenge of “Convergence”

    Editor Pax Wassermann on Diving Into the Details of “Becoming Cousteau”

    Rachel Boynton on Raising a Key Question of Our Times in “Civil War (Or, Who Do We Think We Are)”

  • Reviews
    Reviews

    Newport Beach Film Fest 2021 Review: Mye Hoang’s “Cat Daddies” Looks to the Softer Side of Man

    Newport Beach Film Fest 2021 Review: “Never Catch Pigeons: And Eleven More Hard Lessons from Mr. Paul Van Doren” Does the Legwork for an Engaging History of Vans

    Beyond Fest 2021 Review: “The Black Phone” Answers the Call

  • The Mentaculist
    The Mentaculist
    Matt Damon in "Euro Trip"

    Matt Damon: A Career in Cameos

    Independence Day: My Street

    Five Movie Marketing Miscues That Blew Up in All the Wrong Ways

    Lucas Black and Nathalie Kelley in "Fast & Furious: Tokyo Drift"

    Justin Lin on “Tokyo Drift” and the Four Hours That Saved the
    “Fast & Furious” Franchise

  • Retrospective
    Retrospective

    How Joan Micklin Silver’s “Hester Street” Transcended the Idea of Hollywood Being a One-Horse Town

    “Every Day Was Like, ‘How Do We Pull This Off?'” Martin Brest on “Midnight Run”

    How to Be a Los Angeles Cinephile in 2020 – Even If You’re From Outside of Town

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    Rachel Boynton on Raising a Key Question of Our Times in “Civil War (Or, Who Do We Think We Are)”

    Jessica Earnshaw on Exploring the Roots of Generational Trauma in “Jacinta”

    Newport Beach Film Fest 2021 Review: Mye Hoang’s “Cat Daddies” Looks to the Softer Side of Man

    Rachel Fleit on Getting Underneath the Surface with “Introducing Selma Blair”

    Beyond Fest 2021 Review: “The Black Phone” Answers the Call

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Catholic Church

Lawrence Murphy in a scene from Alex Gibney's Catholic Church documentary "Mea Maxima Culpa: Silence in the House of God"
Interviews

Interview: Alex Gibney Lifts the Silence in the Oscar Shortlisted “Mea Maxima Culpa”

After Enron and Congress, the Oscar-winning documentarian takes on the Catholic Church with this infuriating film about the epidemic of sexual abuse that has been covered up for decades.
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Film NewsTo Live and Screen in L.A.

Joe Carnahan Talks About the Alternate Ending He Shot For “The Grey”

Mildred Loving, Peggy Loving and Richard Loving in "The Loving Story"
Interviews

Interview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”

The Mentaculist

Playing God: 13 Actors Who Dared To Be the Deity in Movies

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