BAMcinemafest 2022 Interview: Lynne Sachs and Paolo Javier on Crafting a Clever Turn of Phrase with “Swerve”
Tribeca 2022 Review: No Mourning is Allowed with Death on the Horizon in the Beautifully Bittersweet “Pink Moon”
“All My Work is the Desire to Live Fully, To Grab it and to Swallow Life”: Mira Nair on a Career Showing the Unseen
Joachim Trier on “The Worst Person in the World” Epilogue, Freezing Oslo in Time and More with Paul Thomas Anderson
BAMcinemafest 2022 Interview: Robert Machoian and Rodrigo Ojeda-Beck on Looking Towards Sunset in “The Last Days of August”
BAMcinemafest 2022 Interview: Lynne Sachs and Paolo Javier on Crafting a Clever Turn of Phrase with “Swerve”
InterviewsInterview: Karim Aïnouz on Getting at the Tangible Emotion in “Invisible Life”The director talks about revealing the stories of those who were deprived of their voice in their time. Read Story
ReviewsChicago Film Fest ’19 Review: Karim Aïnouz’s “The Invisible Life” Thrillingly Brings a Sisterhood to the SurfaceA shared experience denied to a pair of siblings vividly connects to an audience in this resplendent drama set in 1950s Rio de Janeiro. Read Story
Film NewsTo Live and Screen in L.A.Joe Carnahan Talks About the Alternate Ending He Shot For “The Grey”
