Josh Lambert, Yvonne Lambert and Toto Miranda of The Octopus Project on Bringing Out the Beauty of Bigfoot in “Sasquatch Sunset”
Review: Tragedy Brings Together People of Different Walks of Life in Hilla Medalia’s “Mourning in Lod”
SXSW 2024 Review: “Dory Previn: On My Way to Where” Charts the Journey of a Musician Who Brought Together Different Tracks
Composer Kathryn Bostic on Making Silents Golden with “The Flying Ace” and “Something Good – Negro Kiss”
CannesReviews·3 min readCannes 2023 Review: Sean Price Williams’ “The Sweet East” Goes In Search of America
CannesReviews·2 min readCannes 2023 Review: A Gumshoe Walks in His Brother’s Footsteps in Claude Schmitz’s Mischievous “The Other Laurens”
CannesReviews·2 min readCannes 2023 Review: Delphine Deloget’s “All to Play For” is Worth Making Time For
CannesReviews·3 min readCannes 2023 Review: “Firebrand” Gives the Royal Treatment to the Ugly Affairs of a Kingdom
CannesReviews·2 min readCannes 2023 Review: A Trio Warms to Each Other in Anthony Chen’s Tender Travelogue “The Breaking Ice”
CannesReviews·2 min readCannes 2023 Review: Elena Martín Gimeno’s “Creatura” Puts a Twist in Seeing Sexuality as a Beast
CannesReviews·3 min readCannes 2023 Review: Felipe Gálvez’s “The Settlers” Thrillingly Takes History Into Uncharted Territory
CannesReviews·3 min readCannes 2023 Review: A Conversation About Cinema’s Future Breaks Out of Lubna Playoust’s “Room 999”
CannesReviews·3 min readCannes 2023 Review: A History of Resilience Blossoms in “Crowra (The Buriti Flower)”
CannesReviews·3 min readCannes 2023 Review: A Wrong Seems All Too Right in Rodrigo Moreno’s “The Delinquents”
Film NewsTo Live and Screen in L.A.·3 min readJoe Carnahan Talks About the Alternate Ending He Shot For “The Grey”
Interviews·7 min readInterview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”