The Moveable Fest
The Moveable Fest
  • Interviews
    Interviews

    Kyle Gallner and Emily Skeggs on Serving Up Subversion in “Dinner in America”

    Bonni Jo Hart on Amping Up a Pioneering Band in “Fanny: The Right to Rock”

    Dan Mirvish on Wrangling a Wild Tale of the Tape in “18 1/2”

  • Reviews
    Reviews

    Cannes 2022 Review: The Terror of a Brutal Regime Hits Home in Manuela Martelli’s Engrossing “1976”

    Cannes 2022 Review: An Actor Gets a Part He’d Rather Not Play in the Curious Conspiracy Thriller “The Green Perfume”

    Cannes 2022 Review: Alexandru Belc’s “Metronom” Impressively Measures the Extent of a Heartbreak

  • The Mentaculist
    The Mentaculist
    Matt Damon in "Euro Trip"

    Matt Damon: A Career in Cameos

    Independence Day: My Street

    Five Movie Marketing Miscues That Blew Up in All the Wrong Ways

    Lucas Black and Nathalie Kelley in "Fast & Furious: Tokyo Drift"

    Justin Lin on “Tokyo Drift” and the Four Hours That Saved the
    “Fast & Furious” Franchise

  • Retrospective
    Retrospective

    Reclaiming Reality: Mario Van Peebles on Reimagining a City and an Industry in “New Jack City”

    Joachim Trier on “The Worst Person in the World” Epilogue, Freezing Oslo in Time and More with Paul Thomas Anderson

    A Resolution Comes True: The Making of “Get Crazy,” the Ultimate New Year’s Movie and Its Wild Restoration

  • Trending
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    Cannes 2022 Review: Alexandru Belc’s “Metronom” Impressively Measures the Extent of a Heartbreak

    Cannes 2022 Review: The Terror of a Brutal Regime Hits Home in Manuela Martelli’s Engrossing “1976”

    Cannes 2022 Review: An Actor Gets a Part He’d Rather Not Play in the Curious Conspiracy Thriller “The Green Perfume”

    Cannes 2022 Review: “Les Pires” Reconsiders What An Exploitation Film Is

    Dan Mirvish on Wrangling a Wild Tale of the Tape in “18 1/2”

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Birth of a Nation

Bron Studios films including Fences, Tumbledown, The Master Cleanse, Into the Forest and Birth of a Nation
FavoritesInterviews

Our Favorites 2016: Aaron Gilbert on Swinging for the Fences with Bron Studios

The producer on building a production company exuding strength, starting with their very name, and backing "Fences," "Birth of a Nation" & other daring films in 2016.
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Nate Parker and Aja Naomi King in "Birth of a Nation"
ReviewsSundance

Sundance ’16 Review: Nate Parker’s “Birth of a Nation”: A Stirring, Necessary Corrective to Narratives About America’s Original Sin

The actor-turned-director delivers a passion project about the slave rebellion leader Nat Turner that actually exudes it and will inspire it in others.
Read Story
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Film NewsTo Live and Screen in L.A.

Joe Carnahan Talks About the Alternate Ending He Shot For “The Grey”

Mildred Loving, Peggy Loving and Richard Loving in "The Loving Story"
Interviews

Interview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”

The Mentaculist

Playing God: 13 Actors Who Dared To Be the Deity in Movies

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