Josh Lambert, Yvonne Lambert and Toto Miranda of The Octopus Project on Bringing Out the Beauty of Bigfoot in “Sasquatch Sunset”
Review: Tragedy Brings Together People of Different Walks of Life in Hilla Medalia’s “Mourning in Lod”
SXSW 2024 Review: “Dory Previn: On My Way to Where” Charts the Journey of a Musician Who Brought Together Different Tracks
Composer Kathryn Bostic on Making Silents Golden with “The Flying Ace” and “Something Good – Negro Kiss”
BerlinaleReviews·3 min readBerlinale 2023 Review: A Show Must Go On in Talal Derki and Heba Khaled’s “Under the Sky of Damascus”
BerlinaleReviews·2 min readBerlinale 2023 Review: Lila Avilés’ Spellbinding “Tótem” Puts a Hold On You
BerlinaleReviews·2 min readBerlinale 2023 Review: A Pair of Lonelyhearts Gets in Touch with Their Better Nature in Bas Devos’ “Here”
BerlinaleReviews·2 min readBerlinale 2023 Review: A Death Brings a Spark of Life in Susana Nobre’s “Cidade Rabat”
Reviews·2 min readBerlinale 2023 Review: A Couple Airs Out Their Differences in Tibor Bánóczki and Sarolta Szabó’s Absorbing “White Plastic Sky”
BerlinaleReviews·2 min readBerlinale 2023 Review: “Al Murhaqoon (The Burdened)” Takes On the Weight of the World
BerlinaleReviews·3 min readBerlinale 2023 Review: Sacha Polak’s “Silver Haze” Captivatingly Plays with Fire
BerlinaleReviews·3 min readBerlinale 2023 Review: “Reality” Reconsiders What’s a Danger to the Public
BerlinaleReviews·2 min readBerlinale 2023 Review: İlker Çatak’s “The Teachers’ Lounge” Offers Some Bedeviling Lessons
BerlinaleReviews·3 min readBerlinale 2023 Review: “Joan Baez: I Am a Noise” Delivers a Strong Portrait of the Fragility of Memories
Film NewsTo Live and Screen in L.A.·3 min readJoe Carnahan Talks About the Alternate Ending He Shot For “The Grey”
Interviews·7 min readInterview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”