Josh Lambert, Yvonne Lambert and Toto Miranda of The Octopus Project on Bringing Out the Beauty of Bigfoot in “Sasquatch Sunset”
Review: Tragedy Brings Together People of Different Walks of Life in Hilla Medalia’s “Mourning in Lod”
SXSW 2024 Review: “Dory Previn: On My Way to Where” Charts the Journey of a Musician Who Brought Together Different Tracks
Composer Kathryn Bostic on Making Silents Golden with “The Flying Ace” and “Something Good – Negro Kiss”
BerlinaleReviews·2 min readBerlinale 2023 Review: “Al Murhaqoon (The Burdened)” Takes On the Weight of the World
BerlinaleReviews·3 min readBerlinale 2023 Review: “Reality” Reconsiders What’s a Danger to the Public
BerlinaleReviews·2 min readBerlinale 2023 Review: A Death Brings a Spark of Life in Susana Nobre’s “Cidade Rabat”
BerlinaleReviews·3 min readBerlinale 2023 Review: A Show Must Go On in Talal Derki and Heba Khaled’s “Under the Sky of Damascus”
BerlinaleReviews·2 min readBerlinale 2023 Review: Lila Avilés’ Spellbinding “Tótem” Puts a Hold On You
BerlinaleReviews·3 min readBerlinale 2023 Review: “Joan Baez: I Am a Noise” Delivers a Strong Portrait of the Fragility of Memories
Reviews·2 min readBerlinale 2023 Review: A Couple Airs Out Their Differences in Tibor Bánóczki and Sarolta Szabó’s Absorbing “White Plastic Sky”
BerlinaleReviews·2 min readBerlinale 2023 Review: A Pair of Lonelyhearts Gets in Touch with Their Better Nature in Bas Devos’ “Here”
BerlinaleReviews·2 min readBerlinale 2023 Review: İlker Çatak’s “The Teachers’ Lounge” Offers Some Bedeviling Lessons
BerlinaleReviews·3 min readBerlinale 2023 Review: Sacha Polak’s “Silver Haze” Captivatingly Plays with Fire
Film NewsTo Live and Screen in L.A.·3 min readJoe Carnahan Talks About the Alternate Ending He Shot For “The Grey”
Interviews·7 min readInterview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”