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Alex Gibney

Elizabeth Holmes in "The Inventor: Out for Blood in Silicon Valley"

Interview: Composer Will Bates on Becoming Instrumental to “The Inventor” and “The Sound of Silence”

On meeting the musical demands of projects as diverse as Alex Gibney's profile of Elizabeth Holmes and a Peter Sarsgaard drama and hitting all the octaves in between.

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Interviews

Interview: Alex Gibney & Eric Chien on Counting Down to “Zero Days”

The dogged documentarian behind "WikiLeaks" and "Enron" talks about bringing the looming danger of cyber warfare into the physical realm.

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A scene from Jed Rothstein's "The China Hustle"

Interviews

Interview: Jed Rothstein on Refusing to Be Shaken By “The China Hustle”

The director discusses making a doc well worth buying in on about the crafty sell off of overinflated stock.

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Lawrence Murphy in a scene from Alex Gibney's Catholic Church documentary "Mea Maxima Culpa: Silence in the House of God"

Interviews

Interview: Alex Gibney Lifts the Silence in the Oscar Shortlisted “Mea Maxima Culpa”

After Enron and Congress, the Oscar-winning documentarian takes on the Catholic Church with this infuriating film about the epidemic of sexual abuse that has been covered up for decades.

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Rintu Thomas and Sushmit Ghosh on Delivering the News Against All Odds in “Writing with Fire”

Patrick Imbert on Reaching New Heights with “The Summit of the Gods”

Christopher Frierson on Carrying the Weight of the World on His Shoulders with “DMX: Don’t Try to Understand”

DOC NYC 2021 Review: Holly Morris’ “Exposure” Charts an Expedition That Can’t Be Measured in Miles

DOC NYC 2021 Review: A Football Team Has Plenty to Tackle Off the Field in “Messwood”

DOC NYC 2021 Review: What’s In a Name Leaves a Lot to Answer For in “Grandpa Was an Emperor”

Matt Damon: A Career in Cameos

Five Movie Marketing Miscues That Blew Up in All the Wrong Ways

Justin Lin on “Tokyo Drift” and the Four Hours That Saved the
“Fast & Furious” Franchise

How Joan Micklin Silver’s “Hester Street” Transcended the Idea of Hollywood Being a One-Horse Town

“Every Day Was Like, ‘How Do We Pull This Off?'” Martin Brest on “Midnight Run”

How to Be a Los Angeles Cinephile in 2020 – Even If You’re From Outside of Town

Interview: Sandra Hüller on Warming Up to “Toni Erdmann”

DOC NYC 2021 Interview: Tom Donahue on Crafting a Warm Tribute in “Dean Martin: King of Cool”

Christopher Frierson on Carrying the Weight of the World on His Shoulders with “DMX: Don’t Try to Understand”

DOC NYC 2021 Review: What’s In a Name Leaves a Lot to Answer For in “Grandpa Was an Emperor”

Jessica Earnshaw on Exploring the Roots of Generational Trauma in “Jacinta”

Alex Gibney

Interview: Composer Will Bates on Becoming Instrumental to “The Inventor” and “The Sound of Silence”

Interview: Alex Gibney & Eric Chien on Counting Down to “Zero Days”

Interview: Jed Rothstein on Refusing to Be Shaken By “The China Hustle”

Interview: Alex Gibney Lifts the Silence in the Oscar Shortlisted “Mea Maxima Culpa”

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Joe Carnahan Talks About the Alternate Ending He Shot For “The Grey”

Interview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”

Playing God: 13 Actors Who Dared To Be the Deity in Movies