Josh Lambert, Yvonne Lambert and Toto Miranda of The Octopus Project on Bringing Out the Beauty of Bigfoot in “Sasquatch Sunset”
SXSW 2024 Review: “Dory Previn: On My Way to Where” Charts the Journey of a Musician Who Brought Together Different Tracks
Composer Kathryn Bostic on Making Silents Golden with “The Flying Ace” and “Something Good – Negro Kiss”
AFI FestReviews·2 min readAFI Docs 2020 Review: A Musician Gives Voice to a Community Grappling with Violence in “Freedia Got a Gun”
AFI FestReviews·2 min readAFI Docs 2020 Review: Hate Has a Shelf Life in Daniel Lombroso’s “White Noise”
AFI FestReviews·2 min readAFI Docs 2020 Review: Maia Lekow and Christopher King Open Up a Wild Tale with “The Letter”
AFI FestReviews·2 min readReview: A Family Crisis Comes Into Focus in Miles Hargrove’s Riveting “Miracle Fishing”
AFI Fest·2 min readAFI DOCS 2020 Review: A Politician is Shown Truly Moving the Needle in “Jimmy Carter: Rock ‘N’ Roll President”
AFI FestReviews·2 min readAFI Docs 2020 Review: Knowledge is Power in Julia Reichert and Steve Bognar’s Rousing “9to5: The Story of a Movement”
AFI FestReviews·2 min readAFI Docs 2020 Review: Sebastian Junger and Nick Quested’s “Blood on the Wall” Reveals How the U.S./Mexico Border Crisis Started From the Outside
Film NewsTo Live and Screen in L.A.·3 min readJoe Carnahan Talks About the Alternate Ending He Shot For “The Grey”
Interviews·7 min readInterview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”