Josh Lambert, Yvonne Lambert and Toto Miranda of The Octopus Project on Bringing Out the Beauty of Bigfoot in “Sasquatch Sunset”
Review: Tragedy Brings Together People of Different Walks of Life in Hilla Medalia’s “Mourning in Lod”
SXSW 2024 Review: “Dory Previn: On My Way to Where” Charts the Journey of a Musician Who Brought Together Different Tracks
Composer Kathryn Bostic on Making Silents Golden with “The Flying Ace” and “Something Good – Negro Kiss”
Uncategorized·3 min readSXSW 2023 Review: “The Herricanes” Plays a Game of Inches with Runaway Success
Uncategorized·2 min readSundance 2023 Review: “Going to Mars: The Nikki Giovanni Project” Has a Way With Words
Uncategorized·10 min readInterview: Sam Feder on How a History of Transgender Representation on Screen Can Change the Future in “Disclosure”
Uncategorized·3 min readDOC NYC ’19 Review: An Arthouse Cinema Giant is Restored to History in “Searching for Mr. Rugoff”
Uncategorized·2 min readTrue/False ’19 Review: Ise Shinichi’s “Home, Sweet Home” is a Touching Family Portrait 35 Years in the Making
Uncategorized·10 min readInterview: Jeremy Phillips and Lindsey Shaw on Making it All Add Up with “1/1”
Uncategorized·11 min readInterview: Michel Hazanavicius on Doing Something Radical with “Godard Mon Amour”
Film NewsTo Live and Screen in L.A.·3 min readJoe Carnahan Talks About the Alternate Ending He Shot For “The Grey”
Interviews·7 min readInterview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”