SXSW 2024 Review: “Dory Previn: On My Way to Where” Charts the Journey of a Musician Who Brought Together Different Tracks
Composer Kathryn Bostic on Making Silents Golden with “The Flying Ace” and “Something Good – Negro Kiss”
ReviewsSXSW 2012·2 min readSXSW ’13 Review: Michelle Monaghan & Radha Mitchell Birth a Beautiful Friendship in “Gus”
SXSW 2012·3 min readSXSW ’12: The “Big” Blasts of Music in “Big Easy Express” and “Big Star: Nothing Can Hurt Me”
ReviewsSXSW 2012·3 min readSXSW ’13 Review: When the Going Gets Tough, the Tough Gets Going in “The Other Shore”
SXSW 2012·3 min readSXSW ’12 Review: “Electrick Children” Bursts With Energy Before Bursting at the Seams
InterviewsSXSW 2012·6 min readInterview: Gabrielle Union on “In Our Nature,” Bear Attacks and Recasting Herself in a New Light
ReviewsSXSW 2012·2 min readSXSW ’13 Review: In Search of a Lost Son, Two Old Friends Relocate Each Other in John Sayles’ “Go For Sisters”
FestivalsReviewsSXSW 2012Toronto Film Festival 2011·3 min readTIFF ’11 Review: The Thrilling Full-On Assault of Gareth Evans’ “The Raid”
InterviewsSXSW 2012·6 min readInterview: Bart Layton and Dimitri Doganis on “The Imposter” and Getting at the Truth in a True Crime Film
InterviewsSXSW 2012·7 min readSXSW ’13 Interview: Josh Izenberg on Skating with “Slomo,” an Inspiring Doc on a Neurologist Turned Spiritualist
SXSW 2012·7 min readSXSW ’12 Interview: Brian Savelson on Navigating the Emotional Territory of “In Our Nature”
Film NewsTo Live and Screen in L.A.·3 min readJoe Carnahan Talks About the Alternate Ending He Shot For “The Grey”
Interviews·7 min readInterview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”