Josh Lambert, Yvonne Lambert and Toto Miranda of The Octopus Project on Bringing Out the Beauty of Bigfoot in “Sasquatch Sunset”
SXSW 2024 Review: “Dory Previn: On My Way to Where” Charts the Journey of a Musician Who Brought Together Different Tracks
Composer Kathryn Bostic on Making Silents Golden with “The Flying Ace” and “Something Good – Negro Kiss”
InterviewsSundance·5 min readSundance 2020 Interview: Beth Einhorn on the Sibling Revelry of “The Starr Sisters”
InterviewsSundance·9 min readSundance 2020 Interview: Bridget Moloney on Building Something Special with “Blocks”
Sundance·5 min readSundance ’19 Interview: Henrik Georgsson on “Stieg Larsson: The Man Who Played with Fire”
ReviewsSundance·2 min readSundance ’19 Review: Mark Deeble and Victoria Stone’s “The Elephant Queen” Leaves Quite an Impression
ReviewsSundance·3 min readSundance ’19 Review: Penny Lane’s Riotous “Hail Satan?” is a Monumental Achievement
ReviewsSundance·2 min readSundance ’19 Review: Lupita Nyong’o Kills ‘Em With Kindness in the Sweet, Subversive Zom-Com “Little Monsters”
ReviewsSundance·2 min readSundance ’19 Review: A Family Without a Country Finds a Place in Your Heart in “Midnight Traveler”
ReviewsSundance·2 min readSundance ’19 Review: Power Corrupts in “Selah and the Spades,” But Tayarisha Poe’s Ferocious Debut Has Plenty Of It
InterviewsSundance·5 min readSundance ’19 Interview: Sacha Polak & Vicky Knight on Getting Under the Skin with “Dirty God”
ReviewsSundance·3 min readSundance ’19 Review: Passion Carries Joe Talbot’s “The Last Black Man in San Francisco”
ReviewsSundance·2 min readSundance ’19 Review: A Coming-of-Age Comedy Gets a Grown-Up Twist in “Big Time Adolescence”
Film NewsTo Live and Screen in L.A.·3 min readJoe Carnahan Talks About the Alternate Ending He Shot For “The Grey”
Interviews·7 min readInterview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”