The Moveable Fest
The Moveable Fest
  • Interviews
    Interviews

    Stefan Forbes on Negotiating a Constructive Cultural Conversation in “Hold Your Fire”

    Alessandro Celli on Piecing Together a World in Ruins in “Mondocane”

    Human Rights Watch Film Fest 2022 Interview: Maia Kenworthy and Elena Sánchez Bellot on Making a Difference and the Differences Getting There in “Rebellion”

  • Reviews
    Reviews

    Cannes 2022 Review: A Trickle of Doubt Opens Up a Flood of Emotions in Elena López Riera’s “El Agua”

    How the Other Half Lives: On Gaspar Noé’s Provocative Act of Compassion in “Vortex” and “Lux Æterna”

    Hot Docs 2022 Review: The Power of a Family Secret Shifts from the Keepers to Those Willing to Expose It in Jasmin Mara López’s “Silent Beauty”

  • The Mentaculist
    The Mentaculist
    Matt Damon in "Euro Trip"

    Matt Damon: A Career in Cameos

    Independence Day: My Street

    Five Movie Marketing Miscues That Blew Up in All the Wrong Ways

    Lucas Black and Nathalie Kelley in "Fast & Furious: Tokyo Drift"

    Justin Lin on “Tokyo Drift” and the Four Hours That Saved the
    “Fast & Furious” Franchise

  • Retrospective
    Retrospective

    Reclaiming Reality: Mario Van Peebles on Reimagining a City and an Industry in “New Jack City”

    Joachim Trier on “The Worst Person in the World” Epilogue, Freezing Oslo in Time and More with Paul Thomas Anderson

    A Resolution Comes True: The Making of “Get Crazy,” the Ultimate New Year’s Movie and Its Wild Restoration

  • Trending
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    Cannes 2022 Review: A Trickle of Doubt Opens Up a Flood of Emotions in Elena López Riera’s “El Agua”

    Alessandro Celli on Piecing Together a World in Ruins in “Mondocane”

    Human Rights Watch Film Fest 2022 Interview: Maia Kenworthy and Elena Sánchez Bellot on Making a Difference and the Differences Getting There in “Rebellion”

    “Every Day Was Like, ‘How Do We Pull This Off?'” Martin Brest on “Midnight Run”

    L.A. Asian Pacific Film Fest 2022 Interview: Deann Borshay Liem on Bridging the Divide in Perception Between North and South Korea in “Crossings”

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Slamdance 2012

Slamdance 2012

Slamdance ’11 Review: “Bindlestiffs,” a Raunchy High School Comedy So Wrong It’s Right

Andrew Edison's raucous debut is clearly the work of immature kids who may or may not have even graduated with GEDs, but that's why it's great.
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Shannon Harper in Keith Miller's "Welcome to Pine Hill"
Slamdance 2012

Slamdance ’11 Interview: Keith Miller on the Grand Jury Sparky Award-Winning Drama “Welcome to Pine Hill”

The writer/director of the drama that took home this year's top prize at Slamdance talks about letting reality spill into his story of an African-American man whose life takes a turn for the worst as he's trying to put himself on the right track.
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Slamdance 2012

Slamdance ’11 Interview: Daniel Martinico and Hugo Armstrong on the Method to the Madness of “OK, Good”

Friends from childhood, the star and director of the unsettling Slamdance satire about a working actor driven to madness when his phone doesn't ring talk about the inspiration of the Mekas brothers and doing the limbo of show business.
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Copyright 2011 The Moveable Fest

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Film NewsTo Live and Screen in L.A.

Joe Carnahan Talks About the Alternate Ending He Shot For “The Grey”

Mildred Loving, Peggy Loving and Richard Loving in "The Loving Story"
Interviews

Interview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”

The Mentaculist

Playing God: 13 Actors Who Dared To Be the Deity in Movies

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