Josh Lambert, Yvonne Lambert and Toto Miranda of The Octopus Project on Bringing Out the Beauty of Bigfoot in “Sasquatch Sunset”
Review: Tragedy Brings Together People of Different Walks of Life in Hilla Medalia’s “Mourning in Lod”
SXSW 2024 Review: “Dory Previn: On My Way to Where” Charts the Journey of a Musician Who Brought Together Different Tracks
Composer Kathryn Bostic on Making Silents Golden with “The Flying Ace” and “Something Good – Negro Kiss”
ReviewsTribeca Film Festival·2 min readTribeca 2021 Review: A Conductor Creates Harmony Out of Cultural Discord in the Rousing “Bernstein’s Wall”
ReviewsSXSW·2 min readSXSW 2020 Review: Despair Goes Viral in Amy Seimetz’s Killer “She Dies Tomorrow”
Reviews·3 min readReview: Salles, Stewart and Hedlund Keep Their Eyes “On the Road” in Immersive, Invigorating Adaptation
ReviewsTribeca Film Festival·7 min readTribeca ’19 Interview: Ellen Fiske and Ellinor Hallin on Taking Flight From a Place of Clipped Wings in “Scheme Birds”
ReviewsSundance·2 min readSundance 2023 Review: Good Fortune Awaits in Babak Jalali’s Bewitching “Fremont”
Reviews·3 min readSheffield Doc/Fest 2020 Review: One Systemic Failure Leads to Another in Anthony Baxter’s Gutting Exposé “Flint”
Reviews·2 min readBerlin Film Fest 2020 Review: Raya Martin’s Coming-of-Age Comedy “Death of Nintendo” Reaches Another Level
ReviewsTIFF·5 min readReview: A Rough Road to Happiness in Matthew Weiner’s Deeply Satisfying “Are You Here”
ReviewsSlamdance·2 min readSlamdance ’18 Review: A Family That Can’t See the Forest for the Trees in the Woodlands-Set Black Comedy “Back at the Staircase”
ReviewsSundance·3 min readSundance 2023 Review: “Food and Country” Redefines Conscientious Eating Habits in America
Film NewsTo Live and Screen in L.A.·3 min readJoe Carnahan Talks About the Alternate Ending He Shot For “The Grey”
Interviews·7 min readInterview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”