The Moveable Fest
The Moveable Fest
  • Interviews
    Interviews

    Alex Pritz on Looking at All Sides of an Environmental Crisis in “The Territory”

    Victor Nunez on Finding “Ruby in Paradise”

    Julie Ha on Keeping a Movement Alive in “Free Chol Soo Lee”

  • Reviews
    Reviews

    Outfest 2022 Review: A City Council Seat Becomes an Opportunity to Take a Stand in “A Run for More”

    Tribeca 2022 Review: “Unfinished Business” Captures Net Gains for Women’s Basketball

    Tribeca 2022 Review: “Lowndes County and the Road to Black Power” Illuminates the Importance of the Vote in the Deep South

  • The Mentaculist
    The Mentaculist
    Matt Damon in "Euro Trip"

    Matt Damon: A Career in Cameos

    Independence Day: My Street

    Five Movie Marketing Miscues That Blew Up in All the Wrong Ways

    Lucas Black and Nathalie Kelley in "Fast & Furious: Tokyo Drift"

    Justin Lin on “Tokyo Drift” and the Four Hours That Saved the
    “Fast & Furious” Franchise

  • Retrospective
    Retrospective

    Francine McDougall on Rolling the Dice with “Sugar & Spice”

    “All My Work is the Desire to Live Fully, To Grab it and to Swallow Life”: Mira Nair on a Career Showing the Unseen

    Reclaiming Reality: Mario Van Peebles on Reimagining a City and an Industry in “New Jack City”

  • Trending
    NowWeekMonth

    Francine McDougall on Rolling the Dice with “Sugar & Spice”

    Completing the Picture: How DuArt Film & TV Opened Up the Frame for American Independent Film

    Alex Pritz on Looking at All Sides of an Environmental Crisis in “The Territory”

    Thyrone Tommy on Creating Pleasure Out of Pain in “Learn to Swim”

    Natalia Dyer and Peter Vack in "I Believe in Unicorns"

    Interview: Leah Meyerhoff, Natalia Dyer & Peter Vack on “I Believe in Unicorns”

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Reviews

Reviews

Review: Finding the Humor in the Tears of a Clown in Álex de la Iglesia’s “The Last Circus”

The latest from the Spanish auteur behind genre mashups such as "800 Bullets" and "El Crimen Ferpecto" finds a home under the big top with this insane and insanely funny dark comedy about dueling clowns.
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Anna Margaret Hollyman in "Sister Aimee"
ReviewsSundance

Sundance ’19 Review: Praise the Lord for Samantha Buck and Marie Schlingmann’s Sensational “Sister Aimee”

A dazzling feature debut stars Anna Margaret Hollyman as a famed 1920s evangelist who does some devilish things to get right with God.
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Reviews

Review: Gerwig and Baumbach Get the Last Laugh With ‘Frances Ha’

The director of "Kicking & Screaming" finally matures as a storyteller with a frenzied young woman as his muse.
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ReviewsVenice Film Festival

Venice Film Fest 2021 Review: A Man on the Run Worries He’ll Leave His Soul Behind in “Captain Volkonogov Escaped”

The toll of being a soldier during the Great Purge in the Soviet Union is vividly rendered in Aleksey Chupov and Natasha Merkulova’s surreal drama.
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FestivalsNew York Film Festival 2011Reviews

NYFF ’11 Review: Naranjo Really Does Explode With the Gripping “Miss Bala”

Mexico's official entry to the Oscars doesn't show the country in the best light, but its director may be one of its brightest stars with this deliberate thriller about a pageant queen caught up in the local drug wars.
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Wendi McClendon-Covey in "Imaginary Order"
ReviewsSundance

Sundance ’19 Review: Life Gets Delightfully Messy in Debra Eisenstadt’s “Imaginary Order”

A woman wonders if she can regain a sense of herself by surrendering to a way of life she's done her best to avoid in this devious comedy.
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OutfestReviews

Outfest ’19 Review: James Sweeney’s “Straight Up” Is Cool to the Touch Yet Bursting with Heart

The writer/director makes a strong impression with his feature debut pondering what constitutes sexual orientation without the physical act of sex.
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Emily VanCamp in "Boundaries"
ReviewsTIFF

TIFF ’16 Review: Chloé Robichaud Connects with the Brilliant “Boundaries”

On a sleepy island, the political intrigue runs hot in this killer satire from the writer/director of "Sarah Prefers to Run."
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Teresa Palmer and Nicholas Hoult in Jonathan Levine's adaptation of Isaac Marion's Warm Bodies
Reviews

Review: Zombies Get a New Lease on Life in Jonathan Levine’s Sweet, Smart Comedy “Warm Bodies”

Genre purists might have quibbles, but the director of "The Wackness" and "50/50" delivers the unexpected with a zombie romantic comedy with heart.
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ReviewsSXSW

SXSW 2020 Review: “Insert Coin” Cracks the Code for an Entertaining History of Midway Games

For a company that found success getting real with games like "Mortal Kombat" and "NBA Jam," this candid history is an appropriate tribute.
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FestivalsNew York Film Festival 2011Reviews

NYFF ’11 Review: Polanski Presides Over a Cleaner “Carnage”

In reshaping Yasmina Reza's razorsharp play for film, Roman Polanski has crafted the best possible adaptation that still can't help but feel a little bit dull.
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Cory Michael Smith in "1985"
ReviewsSXSW

SXSW ’18 Review: A Disease May Ravage the Body But Can’t Touch the Soul of Yen Tan’s Riveting “1985”

The "Pit Stop" director exquisitely brings a generation of gay men that disappeared during the AIDS crisis to vivid life in this moving drama.
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Copyright 2011 The Moveable Fest

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Film NewsTo Live and Screen in L.A.

Joe Carnahan Talks About the Alternate Ending He Shot For “The Grey”

Mildred Loving, Peggy Loving and Richard Loving in "The Loving Story"
Interviews

Interview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”

The Mentaculist

Playing God: 13 Actors Who Dared To Be the Deity in Movies

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