Josh Lambert, Yvonne Lambert and Toto Miranda of The Octopus Project on Bringing Out the Beauty of Bigfoot in “Sasquatch Sunset”
Review: Tragedy Brings Together People of Different Walks of Life in Hilla Medalia’s “Mourning in Lod”
SXSW 2024 Review: “Dory Previn: On My Way to Where” Charts the Journey of a Musician Who Brought Together Different Tracks
Composer Kathryn Bostic on Making Silents Golden with “The Flying Ace” and “Something Good – Negro Kiss”
ReviewsSXSW·2 min readSXSW 2020 Review: Sworn to Protect, A Cop Brings Pain to Himself in Iram Parveen Bilal’s Compelling “I’ll Meet You There”
BerlinaleReviews·2 min readBerlinale 2021 Review: A Daughter and Father’s Relationship Takes On Its Own Gravity in Jacqueline Lentzou’s “Moon 66 Questions”
AFI FestReviews·2 min readAFI Docs 2020 Review: A Musician Gives Voice to a Community Grappling with Violence in “Freedia Got a Gun”
Reviews·2 min readReview: “Universal Soldier: Day of Reckoning” Deploys Adkins, Van Damme and Lundgren to Flip the Script
ReviewsSundance·3 min readSundance ’19 Review: A Past That Can’t Be Put Behind Us In Jacqueline Olive’s Powerful “Always in Season”
Reviews·2 min readL.A. Asian Pacific Film Fest Review: A Diverse Demographic Gets Their Due in Yi Chen’s Sharply Observed “First Vote”
Reviews·2 min readBerlin Film Fest 2020 Review: Raya Martin’s Coming-of-Age Comedy “Death of Nintendo” Reaches Another Level
ReviewsVenice Film Festival·2 min readVenice Film Fest 2022 Review: A Moral Compass Takes “To The North” in Interesting Directions
ReviewsTribeca Film Festival·3 min readTribeca ’15 Review: A Family’s Past Becomes the Present in “When I Live My Life Over Again”
Film NewsTo Live and Screen in L.A.·3 min readJoe Carnahan Talks About the Alternate Ending He Shot For “The Grey”
Interviews·7 min readInterview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”