The Moveable Fest
The Moveable Fest
  • Interviews
    Interviews

    Jonas Carpignano on Heading Into Unknown Territory in “A Chiara”

    Kyle Gallner and Emily Skeggs on Serving Up Subversion in “Dinner in America”

    Bonni Jo Hart on Amping Up a Pioneering Band in “Fanny: The Right to Rock”

  • Reviews
    Reviews

    Cannes 2022 Review: The Terror of a Brutal Regime Hits Home in Manuela Martelli’s Engrossing “1976”

    Cannes 2022 Review: An Actor Gets a Part He’d Rather Not Play in the Curious Conspiracy Thriller “The Green Perfume”

    Cannes 2022 Review: Alexandru Belc’s “Metronom” Impressively Measures the Extent of a Heartbreak

  • The Mentaculist
    The Mentaculist
    Matt Damon in "Euro Trip"

    Matt Damon: A Career in Cameos

    Independence Day: My Street

    Five Movie Marketing Miscues That Blew Up in All the Wrong Ways

    Lucas Black and Nathalie Kelley in "Fast & Furious: Tokyo Drift"

    Justin Lin on “Tokyo Drift” and the Four Hours That Saved the
    “Fast & Furious” Franchise

  • Retrospective
    Retrospective

    Reclaiming Reality: Mario Van Peebles on Reimagining a City and an Industry in “New Jack City”

    Joachim Trier on “The Worst Person in the World” Epilogue, Freezing Oslo in Time and More with Paul Thomas Anderson

    A Resolution Comes True: The Making of “Get Crazy,” the Ultimate New Year’s Movie and Its Wild Restoration

  • Trending
    NowWeekMonth

    Kyle Gallner and Emily Skeggs on Serving Up Subversion in “Dinner in America”

    Cannes 2022 Review: “Les Pires” Reconsiders What An Exploitation Film Is

    Cannes 2022 Review: The Terror of a Brutal Regime Hits Home in Manuela Martelli’s Engrossing “1976”

    Cannes 2022 Review: Alexandru Belc’s “Metronom” Impressively Measures the Extent of a Heartbreak

    Jonas Carpignano on Heading Into Unknown Territory in “A Chiara”

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Interviews

Interviews

Full Frame 2021 Interview: Jared Jakins and Illi Neang on Looking Ahead in “Scenes from the Glittering World”

A trio of Indigenous high schoolers try to carve out a future for themselves from a past that holds so much pain in this beautiful portrait of life on the reservation.
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A scene from Joyce Wong's Wexford Plaza
Interviews

Interview: Joyce Wong on Making “Wexford Plaza” Worth a Stop

The director talks about taking inspiration from a mall that's seen better days for this comedy about a pair who can't really see their future.
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Tracie Thoms and Sean Maguire in "Are We Good Parents"
InterviewsSXSW

SXSW ’18 Interview: Bola Ogun on Flipping the Script in “Are We Good Parents?”

The director talks about crafting this wickedly subversive satire of woke parents who fear they might be asleep to their daughter's growth into her own person.
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Shirley Chen in "Krista"
InterviewsSXSW

SXSW ’18 Interview: Danny Madden on the Creative Catharsis of “Krista”

A high school theater class gets an extra jolt of drama as a young woman exorcises her demons in the latest ferocious film from the SXSW staple Ornana.
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Interviews

Palm Springs Film Fest ’19 Interview: Alberto Arvalo on Recounting the Vivid Life of Carlos Cruz-Diez in “Free Color”

The director talks about evoking the creative exuberance of the legendary Venezuelan artist in chronicling the development of what would be one of his final projects.
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InterviewsSXSW

SXSW 2022 Interview: Krew Boylan on Dollying Up to Find Her True Self in “Seriously Red”

The actress talks about writing herself a killer role as a Dolly Parton impersonator in search of feeling comfortable in her own skin in this outrageous comedy.
Read Story
Interviews

Alonso Ruizpalacios on the Arresting Developments of “A Cop Movie”

The director of "Museo" talks about how he got away with murder, sneaking into Mexico City's police department with entertaining nonfiction/narrative hybrid.
Read Story
InterviewsSXSW

SXSW 2021 Interview: Ursula Macfarlane on Looking Into a Real Miscarriage in “The Lost Sons”

On a ride to remember with this incredible true story of a man unsure of his roots after being involved as part of a kidnapping as a baby.
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Camille Salameh and Kamel El Basha in "The Insult"
Interviews

Interview: Ziad Doueiri on Getting at the Roots of the War of Words in “The Insult”

The director of "The Attack" talks about returning to make his first film in his native Lebanon in 20 years and creating a dynamic legal thriller that searches for justice.
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Julia Bales and Jim Cummings in "Us Funny"
Interviews

Interview: Julia Bales & Jim Cummings on Getting Serious About “Us Funny”

The real-life couple talks about taking their relationship onscreen in this beguiling short about a couple's defining moment.
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Interviews

Interview: Joshua Oppenheimer on Investigating “The Act of Killing”

There’s no proper way to prepare an audience for “The Act of Killing,” so when Joshua Oppenheimer took the stage...
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Interviews

Cinematographer Ari Wegner on Looking Past the Plains in “The Power of the Dog”

The cinematographer talks about working with Jane Campion and finding all the right angles for this Benedict Cumberbatch "monster movie."
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Joe Carnahan Talks About the Alternate Ending He Shot For “The Grey”

Mildred Loving, Peggy Loving and Richard Loving in "The Loving Story"
Interviews

Interview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”

The Mentaculist

Playing God: 13 Actors Who Dared To Be the Deity in Movies

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