Josh Lambert, Yvonne Lambert and Toto Miranda of The Octopus Project on Bringing Out the Beauty of Bigfoot in “Sasquatch Sunset”
Review: Tragedy Brings Together People of Different Walks of Life in Hilla Medalia’s “Mourning in Lod”
SXSW 2024 Review: “Dory Previn: On My Way to Where” Charts the Journey of a Musician Who Brought Together Different Tracks
Composer Kathryn Bostic on Making Silents Golden with “The Flying Ace” and “Something Good – Negro Kiss”
AFI FestReviewsSXSW·2 min readReview: Can’t Find “Faults” in Riley Stearns’ Clever, Comic Cult Thriller
AFI FestInterviews·9 min readAFI Fest ’14 Interview: Amy Everson and Jason Banker on Weaving an Indelible Experience with “Felt”
AFI FestInterviews·6 min readAFI Fest 2021 Interview: Araceli Lemos on the Questions of Faith in “Holy Emy”
AFI FestReviews·3 min readAFI Fest ‘19 Review: Words Have Power In Sofia Bohdanowicz and Deragh Campbell’s “MS Slavic 7”
AFI FestInterviews·9 min readAFI Fest 2021 Interview: Nabil Ayouch on the Revolutions Per Minute of “Casablanca Beats”
AFI FestReviews·2 min readAFI Docs 2020 Review: A Musician Gives Voice to a Community Grappling with Violence in “Freedia Got a Gun”
AFI FestReviews·2 min readAFI Fest 2023 Review: Hope Buoys Matteo Garrone’s Moving Migration Tale “Io Capitano”
AFI FestReviews·2 min readAFI Fest 2022 Review: A Community of Watchmakers Plot Other Kinds of Revolutions Per Minute in Cyril Schäublin’s “Unrest”
AFI FestReviews·2 min readReview: A Family Crisis Comes Into Focus in Miles Hargrove’s Riveting “Miracle Fishing”
AFI FestTIFF·10 min readInterview: Arielle Holmes and Josh & Benny Safdie on the Transcendent “Heaven Knows What”
AFI FestReviews·2 min readAFI Fest 2020 Review: A Great Escape Becomes Child’s Play in “The Boy Behind the Door”
Film NewsTo Live and Screen in L.A.·3 min readJoe Carnahan Talks About the Alternate Ending He Shot For “The Grey”
Interviews·7 min readInterview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”