Josh Lambert, Yvonne Lambert and Toto Miranda of The Octopus Project on Bringing Out the Beauty of Bigfoot in “Sasquatch Sunset”
Review: Tragedy Brings Together People of Different Walks of Life in Hilla Medalia’s “Mourning in Lod”
SXSW 2024 Review: “Dory Previn: On My Way to Where” Charts the Journey of a Musician Who Brought Together Different Tracks
Composer Kathryn Bostic on Making Silents Golden with “The Flying Ace” and “Something Good – Negro Kiss”
Interviews·8 min readInterview: Sound Designer Peter Albrechtsen on the Feeling the Reverberations of War in “The Cave”
Interviews·8 min readInterview: Waad al-Kateab and Edward Watts on Putting the Tragedy in Syria Into Focus in “For Sama”
ReviewsSundance·3 min readSundance ’18 Review: “Of Fathers and Sons” Offers an Unflinching Look at How Hate is Passed Down in Syria
Interviews·6 min readInterview: Talal Derki on What He Learned from Going Back to Syria to Make “Of Fathers and Sons”
Interviews·9 min readInterview: Matthew Heineman on Covering a War of Information in “City of Ghosts”
InterviewsUncategorized·7 min readInterview: Sophie Deraspe Connects the Dots in “A Gay Girl in Damascus – The Amina Profile”
Film NewsTo Live and Screen in L.A.·3 min readJoe Carnahan Talks About the Alternate Ending He Shot For “The Grey”
Interviews·7 min readInterview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”