SXSW 2024 Review: “Dory Previn: On My Way to Where” Charts the Journey of a Musician Who Brought Together Different Tracks
Composer Kathryn Bostic on Making Silents Golden with “The Flying Ace” and “Something Good – Negro Kiss”
InterviewsSundance·6 min readSundance 2020 Interview: Brian Knappenberger on a Test of a Scout’s Honor in “Church and the Fourth Estate”
InterviewsSundance·8 min readSundance 2020 Interview: Ryan White on Capturing the Elusive Targets of “Assassins”
ReviewsSundance·2 min readSundance 2020 Review: The Past Reveals the Present in the Beguiling “Luxor”
ReviewsSundance·3 min readSundance 2020 Review: An Animator Who Didn’t Play By the Rules Gets His Due, For Better and Worse, in “Happy Happy Joy Joy: The Ren & Stimpy Story”
ReviewsSundance·3 min readSundance 2020 Review: The Students of Parkland Give Their Country a Higher Education on Gun Violence in “Us Kids”
Sundance·11 min readSundance 2020 Interview: Robert Machoian on the Family That Emerged from Making “The Killing of Two Lovers”
InterviewsSundance·9 min readSundance 2020 Interview: Romola Garai on the Horrors You Can’t Shake with “Amulet”
ReviewsSundance·2 min readSundance 2020 Review: A Nation’s Anxiety is Revealed in Arthur Jones’ Diverting “Feels Good Man”
InterviewsSundance·6 min readSundance 2020 Interview: Patricia Vidal Delgado on the Radical Ideas of Love Behind “La Leyenda Negra”
ReviewsSundance·3 min readSundance 2020 Review: David France Puts an Unforgettable Face on Anti-Gay Purges in “Welcome to Chechnya”
Film NewsTo Live and Screen in L.A.·3 min readJoe Carnahan Talks About the Alternate Ending He Shot For “The Grey”
Interviews·7 min readInterview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”