Josh Lambert, Yvonne Lambert and Toto Miranda of The Octopus Project on Bringing Out the Beauty of Bigfoot in “Sasquatch Sunset”
Review: Tragedy Brings Together People of Different Walks of Life in Hilla Medalia’s “Mourning in Lod”
SXSW 2024 Review: “Dory Previn: On My Way to Where” Charts the Journey of a Musician Who Brought Together Different Tracks
Composer Kathryn Bostic on Making Silents Golden with “The Flying Ace” and “Something Good – Negro Kiss”
Interviews·12 min readInterview: Rob Burnett & Craig Roberts on Learning From “The Fundamentals of Caring”
ReviewsSundanceUncategorized·3 min readSundance ’16 Review: The Dark Side of the Power of Belief is Brought to Light in “Holy Hell”
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ReviewsSundance·2 min readSundance ’16 Review: It’s Easy to Fall Hard for Kerem Sanga’s “First Girl I Loved”
ReviewsSundance·3 min readSundance ’16 Review: Small Progressions, Big Moments in Kelly Reichardt’s Strong “Certain Women”
ReviewsSundance·3 min readSundance ’16 Review: Nate Parker’s “Birth of a Nation”: A Stirring, Necessary Corrective to Narratives About America’s Original Sin
Film NewsTo Live and Screen in L.A.·3 min readJoe Carnahan Talks About the Alternate Ending He Shot For “The Grey”
Interviews·7 min readInterview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”