Josh Lambert, Yvonne Lambert and Toto Miranda of The Octopus Project on Bringing Out the Beauty of Bigfoot in “Sasquatch Sunset”
Review: Tragedy Brings Together People of Different Walks of Life in Hilla Medalia’s “Mourning in Lod”
SXSW 2024 Review: “Dory Previn: On My Way to Where” Charts the Journey of a Musician Who Brought Together Different Tracks
Composer Kathryn Bostic on Making Silents Golden with “The Flying Ace” and “Something Good – Negro Kiss”
Reviews·3 min readRotterdam 2024 Review: Certain Anxieties Can’t Be Passed Down in Ben Petrie’s Cleverly Chaotic “The Heirloom”
InterviewsSXSW·11 min readSXSW 2023 Interview: Sophie Jarvis on Turning a Bug Into a Feature in “Until Branches Bend”
ReviewsSundance·2 min readSundance 2021 Review: Kentucker Audley and Albert Birney’s “Strawberry Mansion” is the Stuff Dreams Are Made Of
Fantasia FestReviews·2 min readFantasia Fest 2023 Review: An Itch Can’t Be Scratched in Mary Dauterman’s Still Satisfying “Booger”
InterviewsTIFF·12 min readTIFF ’17 Interview: Chandler Levack on Finding Harmony in “We Forgot to Break Up”
Film NewsTo Live and Screen in L.A.·3 min readJoe Carnahan Talks About the Alternate Ending He Shot For “The Grey”
Interviews·7 min readInterview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”