Josh Lambert, Yvonne Lambert and Toto Miranda of The Octopus Project on Bringing Out the Beauty of Bigfoot in “Sasquatch Sunset”
Review: Tragedy Brings Together People of Different Walks of Life in Hilla Medalia’s “Mourning in Lod”
SXSW 2024 Review: “Dory Previn: On My Way to Where” Charts the Journey of a Musician Who Brought Together Different Tracks
Composer Kathryn Bostic on Making Silents Golden with “The Flying Ace” and “Something Good – Negro Kiss”
InterviewsL.A. Film Fest·6 min readInterview: NC Heikin Brings Back a Legend from the Brink in “Sound of Redemption”
ReviewsUncategorized·3 min readReview: Davidson and Junge Build an Exciting History of Legos in “Beyond the Brick”
Interviews·9 min readSXSW ’14 Interview: Cary Bell and Jessica Miller on Giving “Butterfly Girl” Wings
InterviewsSXSW·6 min readSXSW ’14 Interview: David Marshall on the Life Lessons of “Beginning With the End”
ReviewsTribeca Film Festival·3 min readReview: Orlando Von Einsiedel’s Stirring “Virunga” Finds Wealth in the Congo
InterviewsSXSW·6 min readSXSW ’14 Interview: Doris Dörrie on the Sweet Sound of Female Mariachis in “Que Caramba Es La Vida”
Interviews·10 min readInterview: Chiemi Karasawa on Capturing a Living Legend in “Elaine Stritch: Shoot Me”
Film NewsTo Live and Screen in L.A.·3 min readJoe Carnahan Talks About the Alternate Ending He Shot For “The Grey”
Interviews·7 min readInterview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”