Josh Lambert, Yvonne Lambert and Toto Miranda of The Octopus Project on Bringing Out the Beauty of Bigfoot in “Sasquatch Sunset”
Review: Tragedy Brings Together People of Different Walks of Life in Hilla Medalia’s “Mourning in Lod”
SXSW 2024 Review: “Dory Previn: On My Way to Where” Charts the Journey of a Musician Who Brought Together Different Tracks
Composer Kathryn Bostic on Making Silents Golden with “The Flying Ace” and “Something Good – Negro Kiss”
InterviewsTribeca Film Festival·13 min readTribeca ’19 Interview: Yu Gu on Not Sitting on the Sidelines for “A Woman’s Work: The NFL’s Cheerleader Problem”
InterviewsTribeca Film Festival·9 min readTribeca ’19 Interview: Tommy Avallone and Brian and Danielle Dwyer on Nurturing “Waldo on Weed”
InterviewsTribeca Film Festival·6 min readTribeca ’19 Interview: Katherine Propper on Setting the Screen Ablaze with “Street Flame”
InterviewsTribeca Film Festival·8 min readTribeca ’19 Interview: Martha Cooper & Selina Miles on Saving the History of the Streets in “Martha: A Picture Story”
ReviewsTribeca Film Festival·2 min readTribeca ’19 Review: “Picture Character” Offers a Plucky Primer on the Emoji, the Constraints of Language and the Limitlessness of Human Ingenuity
ReviewsTribeca Film Festival·7 min readTribeca ’19 Interview: Ellen Fiske and Ellinor Hallin on Taking Flight From a Place of Clipped Wings in “Scheme Birds”
InterviewsTribeca Film Festival·6 min readTribeca ’19 Interview: Shosh Shlam and Hilla Medalia on Creating a Place for “Leftover Women”
ReviewsTribeca Film Festival·3 min readTribeca ’19 Review: A Lowlife Finally Gets His Close-Up in Rania Attieh and Daniel Garcia’s High-Class Comedy “Initials S.G.”
InterviewsTribeca Film Festival·8 min readTribeca ’19 Interview: Lara Jean Gallagher on Peeling Back the Layers of Female Relationships in “Clementine”
InterviewsTribeca Film Festival·8 min readTribeca ’19 Interview: Katharine O’Brien on Fine-Tuning “Lost Transmissions”
ReviewsTribeca Film Festival·2 min readTribeca ’19 Review: An Astonishing Account of Sexual Abuse Moves the Conversation Forward in Sasha Joseph Neulinger’s “Rewind”
InterviewsTribeca Film Festival·9 min readTribeca ’19 Interview: Jeanie Finlay and Freddy McConnell on Capturing the Waves of Emotion in “Seahorse”
Film NewsTo Live and Screen in L.A.·3 min readJoe Carnahan Talks About the Alternate Ending He Shot For “The Grey”
Interviews·7 min readInterview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”