Marlo McKenzie and Jonathan Parker on an Unlikely Feminist Icon Shaking Things Up in “Carol Doda Topless at the Condor”
SXSW 2024 Review: “Dory Previn: On My Way to Where” Charts the Journey of a Musician Who Brought Together Different Tracks
Composer Kathryn Bostic on Making Silents Golden with “The Flying Ace” and “Something Good – Negro Kiss”
ReviewsTIFF·2 min readTIFF 2021 Review: “Mlumgu Wam (Good Madam)” Sensationally Serves Up the Ongoing Horrors of Apartheid
ReviewsTIFF·3 min readTIFF 2021 Review: A Standoff Leads You to Sit Up in Stefan Forbes’ “Hold Your Fire”
ReviewsTIFF·2 min readTIFF 2021 Review: Luàna Bajrami’s “The Hill Where Lionesses Roar” Lets Out a Resounding Rebel Yell
ReviewsTIFF·2 min readTIFF 2021 Review: A Disappearance Reveals a Criminal Network in Justin Lerner’s Harrowing “Cadejo Blanco”
InterviewsTIFF·8 min readTIFF 2021 Interview: Jean Luc Herbulot on Having an Eye for Mayhem in “Saloum”
ReviewsTIFF·2 min readTIFF 2020 Review: Nature is a Real Beast in Madeline Sims-Fewer & Dusty Mancinelli’s “Violation”
ReviewsTIFF·3 min readTIFF 2020 Review: “76 Days” Powerfully Puts the COVID-19 Crisis in a Human Context
InterviewsTIFF·9 min readTIFF 2020 Interview: Sasha Leigh Henry on Building a Strong Vessel for a Difficult Conversation in “Sinking Ship”
InterviewsTIFF·9 min readTIFF 2020 Interview: Hannah Cheesman on Revealing the Complexities of a Female Friendship Hiding in Plain Sight in “Succor”
Film NewsTo Live and Screen in L.A.·3 min readJoe Carnahan Talks About the Alternate Ending He Shot For “The Grey”
Interviews·7 min readInterview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”