Josh Lambert, Yvonne Lambert and Toto Miranda of The Octopus Project on Bringing Out the Beauty of Bigfoot in “Sasquatch Sunset”
Review: Tragedy Brings Together People of Different Walks of Life in Hilla Medalia’s “Mourning in Lod”
SXSW 2024 Review: “Dory Previn: On My Way to Where” Charts the Journey of a Musician Who Brought Together Different Tracks
Composer Kathryn Bostic on Making Silents Golden with “The Flying Ace” and “Something Good – Negro Kiss”
InterviewsTIFF·10 min readInterview: Daniel Sawka, Anthony Gonzalez, Omar Leyva & Matthew Moreno on Tackling the Hot Button of Immigration with “Icebox”
ReviewsTIFF·2 min readTIFF ’18 Review: Small Shifts in Perspective Make a World of Difference in “Giant Little Ones”
InterviewsTIFF·7 min readInterview: Gonzalo Tobal on Putting the Court of Public Opinion on Trial in “The Accused”
ReviewsTIFF·3 min readTIFF ’18 Review: Amma Asante Searches for Love in a World Full of Hate in “Where Hands Touch”
InterviewsTIFF·9 min readTIFF ’18 Interview: Michal Aviad on Confronting the Untold Stories of Sexual Harassment in “Working Woman”
ReviewsTIFF·2 min readTIFF ’17 Review: The State Department Gets Its Close-Up in Greg Barker’s Stirring “The Final Year”
ReviewsTIFF·2 min readTIFF ’17 Review: Jessica Chastain and Susanna White Put Their Best Foot Forward for “Woman Walks Ahead”
InterviewsTIFF·7 min readTIFF ’17 Interview: Saul Dibb on Bringing Out the Battle for the Soul in Wartime in “Journey’s End”
Film NewsTo Live and Screen in L.A.·3 min readJoe Carnahan Talks About the Alternate Ending He Shot For “The Grey”
Interviews·7 min readInterview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”