SXSW 2024 Review: “Dory Previn: On My Way to Where” Charts the Journey of a Musician Who Brought Together Different Tracks
Composer Kathryn Bostic on Making Silents Golden with “The Flying Ace” and “Something Good – Negro Kiss”
ReviewsSundance·3 min readSundance 2024 Review: A Triumph Is Seen in All its Complexity in Stephen Maing and Brett Story’s “Union”
InterviewsSundance·10 min readSundance 2024 Interview: Haley Elizabeth Anderson on Creating the Conditions to Thrive in “Tendaberry”
ReviewsSundance·3 min readSundance 2024 Review: Nathan Silver’s “Between the Temples” Aims for the Heart
ReviewsSundance·3 min readSundance 2024 Review: Michael Dweck & Gregory Kershaw’s “Gaucho Gaucho” Is At Home on the Range
InterviewsSundance·8 min readSundance 2024 Interview: Silje Evensmo Jacobsen on a Life That Goes on in “A New Kind of Wilderness”
InterviewsSundance·8 min readSundance 2024 Interview: Kate Jean Hollowell on a Delightful Dance with Death in “Say Hi After You Die”
ReviewsSundance·3 min readSundance 2024 Review: “Agent of Happiness” Finds Its Own Way to Contentment
ReviewsSundance·3 min readSundance 2024 Review: Obscene Wealth Becomes a Silent Killer in “Veni Vidi Vici”
Sundance·8 min readSundance 2023 Interview: Razelle Benally and Matthew Galkin on Confronting Historical Precedent in “Murder in Big Horn”
ReviewsSundance·2 min readSundance 2023 Review: Charlotte Regan’s “Scrapper” is an Endearing Piece of Work
ReviewsSundance·2 min readSundance 2023 Review: A Mother and Daughter Have Some Growing Up to Do Together in “Girl”
Film NewsTo Live and Screen in L.A.·3 min readJoe Carnahan Talks About the Alternate Ending He Shot For “The Grey”
Interviews·7 min readInterview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”