Josh Lambert, Yvonne Lambert and Toto Miranda of The Octopus Project on Bringing Out the Beauty of Bigfoot in “Sasquatch Sunset”
SXSW 2024 Review: “Dory Previn: On My Way to Where” Charts the Journey of a Musician Who Brought Together Different Tracks
Composer Kathryn Bostic on Making Silents Golden with “The Flying Ace” and “Something Good – Negro Kiss”
ReviewsVenice Film Festival·3 min readVenice Film Fest 2023 Review: “The Outpost” Applies a Light Touch to a Trip Into the Heart of Darkness
ReviewsVenice Film Festival·3 min readVenice Film Fest 2023 Review: A Legal System Goes Under the Knife in Selman Necar’s Sharp “Hesitation Wound”
Reviews·3 min readVenice Film Fest 2023 Review: Robert Kolodny’s “The Featherweight” Doesn’t Pull Punches
ReviewsVenice Film Festival·3 min readVenice Film Fest 2023 Review: The Stars Come Out at Night in Saverio Costanzo’s “Finally Dawn”
ReviewsVenice Film Festival·2 min readVenice Film Fest 2023 Review: A Missing Baby Becomes the Least of a Trio’s Problems in Karan Tejpal’s Stirring “Stolen”
Reviews·2 min readCinequest 2023 Review: A Thorny Family Tree Leads to a Sharp Family Comedy in Chelsea Bo’s “No Right Way”
ReviewsTribeca Film Festival·2 min readTribeca 2023 Review: A Musician Tries to Stay True to His Voice in Katherine Propper’s “Lost Soulz”
ReviewsTribeca Film Festival·2 min readTribeca 2023 Review: “The Gullspång Miracle” Captures a Complicated Sister Act
ReviewsTribeca Film Festival·3 min readTribeca 2023 Review: Bill Bradley Scores by Traveling in “Rolling Along”
ReviewsTribeca Film Festival·2 min readTribeca 2023 Review: “This is Not Financial Advice” Invests in the Power of Personality
ReviewsTribeca Film Festival·2 min readTribeca 2023 Review: Hannah Peterson’s “The Graduates” Aims to Start a Conversation
Film NewsTo Live and Screen in L.A.·3 min readJoe Carnahan Talks About the Alternate Ending He Shot For “The Grey”
Interviews·7 min readInterview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”