Josh Lambert, Yvonne Lambert and Toto Miranda of The Octopus Project on Bringing Out the Beauty of Bigfoot in “Sasquatch Sunset”
Review: Tragedy Brings Together People of Different Walks of Life in Hilla Medalia’s “Mourning in Lod”
SXSW 2024 Review: “Dory Previn: On My Way to Where” Charts the Journey of a Musician Who Brought Together Different Tracks
Composer Kathryn Bostic on Making Silents Golden with “The Flying Ace” and “Something Good – Negro Kiss”
ReviewsTribeca Film Festival·3 min readTribeca ’17 Review: “Permission” Allows Itself to Go After the Big Ideas About Relationships
ReviewsTribeca Film Festival·2 min readTribeca ’17 Review: “Abundant Acreage Available” Beautifully Covers Plenty of Ground
ReviewsTribeca Film Festival·2 min readTribeca ’17 Review: A Relationship — and a Filmmaker — Blossoms in “Flower”
ReviewsSXSWUncategorized·3 min readSXSW ’17 Review: C.A. Gabriel & Renée Felice Smith’s “The Relationtrip” is Well Worth Taking
ReviewsSXSW·3 min readSXSW ’17 Review: Christopher Radcliff & Lauren Wolkstein Beguile with “The Strange Ones”
ReviewsSXSW·3 min readSXSW ’17 Review: The Play is Truly the Thing in Jeff Malmberg & Chris Shellen’s Breathtaking “Spettacolo”
FestivalsReviews·6 min readTrue/False ’17 Dispatch #1: “Cage Fighter,” “Did You Wonder Who Fired the Gun?” and “All Good Things”
ReviewsSundance·2 min readSundance ’17 Review: A River of Corruption Flows Through Tarik Saleh’s Captivating “The Nile Hilton Incident”
ReviewsSundance·3 min readSundance ’17 Review: “Quest” is an Extraordinary Portrait of an American Family’s Journey
Film NewsTo Live and Screen in L.A.·3 min readJoe Carnahan Talks About the Alternate Ending He Shot For “The Grey”
Interviews·7 min readInterview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”