SXSW 2024 Review: “Dory Previn: On My Way to Where” Charts the Journey of a Musician Who Brought Together Different Tracks
Composer Kathryn Bostic on Making Silents Golden with “The Flying Ace” and “Something Good – Negro Kiss”
ReviewsSlamdance·2 min readSlamdance ’18 Review: A Family That Can’t See the Forest for the Trees in the Woodlands-Set Black Comedy “Back at the Staircase”
ReviewsSlamdance·4 min readSlamdance ’18 Review: Emily Bett Rickards & Matthew Glave Wring Painful Laughs from “Funny Story”
ReviewsSundance·3 min readSundance ’18 Review: Pattinson, Wasikowska Shine in a Lovely Western That Eschews Romance in “Damsel”
ReviewsSundance·2 min readSundance ’18 Review: You’ll Want to Spend “An Evening with Beverly Luff Linn”
ReviewsSundance·4 min readSundance ’18 Review: Desiree Akhavan Goes Electric in the Brilliant Gay Conversion Drama “The Miseducation of Cameron Post”
ReviewsSundance·3 min readSundance ’18 Review: Jeremiah Zagar Tears Up the Coming-Of-Age Formula with the Ferocious “We the Animals”
ReviewsSundance·4 min readSundance ’18 Review: “Minding the Gap” Beautifully Articulates the Space Between Fathers and Sons
ReviewsSundance·2 min readSundance ’18 Review: Hannah Fidell’s “The Long Dumb Road” is One Smart Comedy
ReviewsSundance·3 min readSundance ’18 Review: Director Christina Choe Shows She’s the Real Deal with the Bewitching Imposter Tale “Nancy”
ReviewsSundance·3 min readSundance ’18 Review: Professional Disappointment Leads to Personal Cinematic Triumph in Sandi Tan’s “Shirkers”
ReviewsSundance·3 min readSundance ’18 Review: “Of Fathers and Sons” Offers an Unflinching Look at How Hate is Passed Down in Syria
Film NewsTo Live and Screen in L.A.·3 min readJoe Carnahan Talks About the Alternate Ending He Shot For “The Grey”
Interviews·7 min readInterview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”