Review: Tragedy Brings Together People of Different Walks of Life in Hilla Medalia’s “Mourning in Lod”
SXSW 2024 Review: “Dory Previn: On My Way to Where” Charts the Journey of a Musician Who Brought Together Different Tracks
Composer Kathryn Bostic on Making Silents Golden with “The Flying Ace” and “Something Good – Negro Kiss”
Reviews·2 min readChicago Film Fest ’19 Review: Women in Search of Leavening Find it in Each Other In Maryam Touzani’s “Adam”
New York Film FestivalReviews·3 min readNew York Film Festival ’19 Review: A Surgeon Operates in a Brave New World in “Born to Be”
ReviewsTIFF·2 min readTIFF ’19 Review: A Different Kind of Superhero Origin Story Has a Strong Foundation in “How to Build a Girl”
ReviewsTIFF·2 min readTIFF ’19 Review: Time is the Great Equalizer in the Brilliant “The Obituary of Tunde Johnson”
ReviewsTIFF·2 min readTIFF ’19 Review: A Slice of Serenity Cuts Through The Noise in Darius Marder’s “Sound of Metal”
ReviewsTIFF·2 min readTIFF ‘19 Review: Jack O’Connell and Charlie Hunnam Make It Well Worth the Trip to “Jungleland”
ReviewsTIFF·2 min readTIFF ’19 Review: Eva Mulvad Shows a Love That Truly Has No Name in “Love Child”
ReviewsTIFF·2 min readTIFF ’19 Review: Gabriela Cowperthwaite’s “The Friend” Shows a Rare Bit of Kindness
ReviewsTIFF·2 min readTIFF ’19 Review: The Almighty Dollar is a Vindictive God in Fernando Veiroj’s Sly Comedy “The Moneychanger”
ReviewsTIFF·2 min readTIFF ‘19 Review: A Cooperative Unravels in Grímur Hákonarson’s Very Agreeable “The County”
Film NewsTo Live and Screen in L.A.·3 min readJoe Carnahan Talks About the Alternate Ending He Shot For “The Grey”
Interviews·7 min readInterview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”