Josh Lambert, Yvonne Lambert and Toto Miranda of The Octopus Project on Bringing Out the Beauty of Bigfoot in “Sasquatch Sunset”
Review: Tragedy Brings Together People of Different Walks of Life in Hilla Medalia’s “Mourning in Lod”
SXSW 2024 Review: “Dory Previn: On My Way to Where” Charts the Journey of a Musician Who Brought Together Different Tracks
Composer Kathryn Bostic on Making Silents Golden with “The Flying Ace” and “Something Good – Negro Kiss”
Reviews·2 min readReview: High Art Gets Down and Dirty in the Devilishly Entertaining “The Burnt Orange Heresy”
Reviews·2 min readBerlin Film Fest 2020 Review: A Pig Gets Its Day in the Sun in Victor Kossakovsky’s “Gunda”
Reviews·2 min readBerlin Film Fest 2020 Review: Raya Martin’s Coming-of-Age Comedy “Death of Nintendo” Reaches Another Level
Reviews·2 min readBerlin Film Fest 2020 Review: Courtney Stephens and Pacho Velez Piece Together a New Perspective on History in “The American Sector”
ReviewsSundance·2 min readSundance 2020 Review: Matt Wolf Finds the Reality in the Beautiful Dream of “Spaceship Earth”
ReviewsSundance·2 min readSundance 2020 Review: A Jazz Musician Has a Lot to Play for in Eugene Ashe’s Beautiful “Sylvie’s Love”
ReviewsSundance·3 min readSundance 2020 Review: Lance Oppenheim’s “Some Kind of Heaven” is One Glorious Trip
ReviewsSundance·2 min readSundance 2020 Review: A House is Not a Home in Josephine Decker’s Enthralling “Shirley”
ReviewsSundance·2 min readSundance 2020 Review: Edson Oda’s “Nine Days” Offers a Rare and Special Time to Reflect
Film NewsTo Live and Screen in L.A.·3 min readJoe Carnahan Talks About the Alternate Ending He Shot For “The Grey”
Interviews·7 min readInterview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”