Marlo McKenzie and Jonathan Parker on an Unlikely Feminist Icon Shaking Things Up in “Carol Doda Topless at the Condor”
SXSW 2024 Review: “Dory Previn: On My Way to Where” Charts the Journey of a Musician Who Brought Together Different Tracks
Composer Kathryn Bostic on Making Silents Golden with “The Flying Ace” and “Something Good – Negro Kiss”
ReviewsTribeca Film Festival·3 min readTribeca 2020 Review: Kristine Stolakis’ “Pray Away” Gives New Meaning to Preaching to the Converted
ReviewsTribeca Film Festival·3 min readTribeca 2020 Review: Out of One Prison, A Woman Enters Another in Jessica Earnshaw’s Powerful “Jacinta”
ReviewsTribeca Film Festival·2 min readTribeca 2020 Review: Prospective Parents Make Peace with Chaos in Joshua Leonard’s “Fully Realized Humans”
Reviews·2 min readPortland International Film Fest 2020 Review: Life Looks Different After a Death in Jessie Barr’s Vital “Sophie Jones”
Reviews·2 min readReview: The Promised Land May Not Live Up to Expectations, but Sonejuhi Sinha’s “Stray Dolls” Has Got the Goods
ReviewsSXSW·2 min readSXSW 2020 Review: A Wild Idea for a New Form of Comedy Takes Shape in “For Madmen Only”
ReviewsSXSW·3 min readSXSW 2020 Review: “Insert Coin” Cracks the Code for an Entertaining History of Midway Games
ReviewsSXSW·2 min readSXSW 2020 Review: The Uneasy Process of Grieving is Elegantly Aired Out in Katrine Philp’s “Beautiful Something Left Behind”
ReviewsSXSW·2 min readSXSW 2020 Review: A Wakaliwood Filmmaker Achieves Some Truly Special Effects in “Once Upon a Time in Uganda”
ReviewsSXSW·2 min readSXSW 2020 Review: Relationship Issues Are Fully Fleshed Out in Caleb Michael Johnson’s Biting “The Carnivores”
ReviewsSXSW·2 min readSXSW 2020 Review: Lindsay Lindenbaum’s “Tomboy” Marches to the Beat of Its Own Drummer
Film NewsTo Live and Screen in L.A.·3 min readJoe Carnahan Talks About the Alternate Ending He Shot For “The Grey”
Interviews·7 min readInterview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”