Josh Lambert, Yvonne Lambert and Toto Miranda of The Octopus Project on Bringing Out the Beauty of Bigfoot in “Sasquatch Sunset”
Andy Brown and Brian Lindstrom on Spotlighting A Musician Before Her Time in “Lost Angel: The Genius of Judee Sill”
SXSW 2024 Review: “Dory Previn: On My Way to Where” Charts the Journey of a Musician Who Brought Together Different Tracks
Composer Kathryn Bostic on Making Silents Golden with “The Flying Ace” and “Something Good – Negro Kiss”
ReviewsSundance·2 min readSundance 2021 Review: A Woman Stung Becomes a Budding Entrepreneur in Blerta Basholli’s “Hive”
ReviewsSundance·2 min readHot Docs 2021 Review: Information is Power in Rintu Thomas and Sushmit Ghosh’s “Writing with Fire”
ReviewsSundance·3 min readSundance 2021 Review: A College Application Season Becomes a Test for Society in Debbie Lum’s “Try Harder”
ReviewsSundance·2 min readSundance 2021 Review: “Bring Your Own Brigade” Offers a Breath of Fresh Air to a Consideration of Wildfires
ReviewsSundance·3 min readSundance 2021 Review: Jerrod Carmichael’s “On the Count of Three” Makes the Most Out of One Last Day
ReviewsSundance·2 min readSundance 2021 Review: Nuns Find a New Religion in Pedro Kos’ Galvanizing “Rebel Hearts”
ReviewsSundance·2 min readSundance 2021 Review: Kentucker Audley and Albert Birney’s “Strawberry Mansion” is the Stuff Dreams Are Made Of
ReviewsSundance·2 min readSundance 2021 Review: Pascual Sisto’s “John and the Hole” Fearlessly Enters the Void
ReviewsSundance·2 min readSundance 2021 Review: Life Gets Nasty in Prano Bailey-Bond’s First-Rate “Censor”
ReviewsSundance·2 min readSundance 2021 Review: A Symphony Lies Within Sian Heder’s Spectacular “Coda”
Reviews·2 min readReview: August Wilson’s “The Pittsburgh Cycle” Continues to Roll On and Inspire in “Giving Voice”
Film NewsTo Live and Screen in L.A.·3 min readJoe Carnahan Talks About the Alternate Ending He Shot For “The Grey”
Interviews·7 min readInterview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”