Josh Lambert, Yvonne Lambert and Toto Miranda of The Octopus Project on Bringing Out the Beauty of Bigfoot in “Sasquatch Sunset”
Review: Tragedy Brings Together People of Different Walks of Life in Hilla Medalia’s “Mourning in Lod”
SXSW 2024 Review: “Dory Previn: On My Way to Where” Charts the Journey of a Musician Who Brought Together Different Tracks
Composer Kathryn Bostic on Making Silents Golden with “The Flying Ace” and “Something Good – Negro Kiss”
Interviews·10 min readInterview: Almundena Carracedo & Robert Bahar in Giving Voice to Generations of the Oppressed in “The Silence of Others”
FavoritesInterviews·14 min readOur Favorites 2018: Cinematographer Julie Kirkwood on Picking Up the Pieces in “Destroyer”
FavoritesInterviews·12 min readOur Favorites 2018: Richard Lorber on Building a Sustainable Home for Classics of the Past and Future at Kino Lorber
FavoritesInterviews·11 min readOur Favorites 2018: Nina Paley on Setting the Table for “Seder-Masochism”
FavoritesInterviews·17 min readOur Favorites 2018: Sound Designer Lawrence Everson on Making Docs That Reverberate
FavoritesInterviews·12 min readOur Favorites 2018: Producer Liz Cardenas on Looking Ahead After “Never Goin’ Back”
Interviews·9 min readInterview: Jon S. Baird on Gracefully Navigating the Funny Business of “Stan & Ollie”
Interviews·8 min readInterview: Levan Tsikurishvili on An Honest Look at the Life of a Musician in “Avicii: True Stories”
Interviews·11 min readInterview: Nadine Labaki on Making — and Living — a Story of Survival with “Capernaum”
Film NewsTo Live and Screen in L.A.·3 min readJoe Carnahan Talks About the Alternate Ending He Shot For “The Grey”
Interviews·7 min readInterview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”