SXSW 2024 Review: “Dory Previn: On My Way to Where” Charts the Journey of a Musician Who Brought Together Different Tracks
Composer Kathryn Bostic on Making Silents Golden with “The Flying Ace” and “Something Good – Negro Kiss”
Interviews·11 min readInterview: Suzannah Herbert and Lauren Belfer on Getting a Hold of a Bigger Cultural Picture with “Wrestle”
Interviews·8 min readInterview: Cristina Gallego and Ciro Guerra on Rewriting the Story of How the Drug Trade Took Flight in “Birds of Passage”
InterviewsSundance·5 min readSundance ’19 Interview: Sacha Polak & Vicky Knight on Getting Under the Skin with “Dirty God”
InterviewsSundance·8 min readSundance ’19 Interview: Miranda Tapsell, Gwilym Lee and Wayne Blair on Putting a Ring on “Top End Wedding”
InterviewsSundance·7 min readSundance ’19 Interview: Shola Amoo & Sam Adewunmi on Getting to the Roots of “The Last Tree”
InterviewsSundance·7 min readSundance ’19 Interview: Musa Syeed on a Modern Portrait of an Ancient Faith Healer in “The Dispossessed”
InterviewsSundance·10 min readSundance ’19 Interview: Carlen May-Mann on Exposing the Trap with “The Rat”
InterviewsSundance·14 min readSundance ’19 Interview: Geoff Marslett on a Ride to Remember with “The Phantom 52”
Film NewsTo Live and Screen in L.A.·3 min readJoe Carnahan Talks About the Alternate Ending He Shot For “The Grey”
Interviews·7 min readInterview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”