Josh Lambert, Yvonne Lambert and Toto Miranda of The Octopus Project on Bringing Out the Beauty of Bigfoot in “Sasquatch Sunset”
SXSW 2024 Review: “Dory Previn: On My Way to Where” Charts the Journey of a Musician Who Brought Together Different Tracks
Composer Kathryn Bostic on Making Silents Golden with “The Flying Ace” and “Something Good – Negro Kiss”
InterviewsTribeca Film Festival·9 min readTribeca ’19 Interview: Jeanie Finlay and Freddy McConnell on Capturing the Waves of Emotion in “Seahorse”
InterviewsTribeca Film Festival·11 min readTribeca ’19 Interview: Troy Dendekker, Bud Gaugh and Bill Guttentag on Capturing the Eternal Sunshine of “Sublime”
InterviewsTribeca Film Festival·10 min readTribeca ’19 Interview: Danielle Krudy and Bridget Savage Cole on Throwing Caution to the Wind for the Bold “Blow the Man Down”
InterviewsTribeca Film Festival·10 min readTribeca ’19 Interview: Lance Edmands on Having a Clear Vision for “Whiteout”
InterviewsTribeca Film Festival·10 min readTribeca ’19 Interview: Nick Borenstein on the Fancy Footwork Behind “99” and “Sweater”
InterviewsTribeca Film Festival·7 min readTribeca ’19 Interview: Aly Migliori on Serving Up the Killer “Twist”
InterviewsTribeca Film Festival·9 min readTribeca ’19 Interview: Matthew Bonifacio and Julianna Gelinas Bonifacio on the Teachable Moment of “Master Maggie”
Film NewsTo Live and Screen in L.A.·3 min readJoe Carnahan Talks About the Alternate Ending He Shot For “The Grey”
Interviews·7 min readInterview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”