Josh Lambert, Yvonne Lambert and Toto Miranda of The Octopus Project on Bringing Out the Beauty of Bigfoot in “Sasquatch Sunset”
Review: Tragedy Brings Together People of Different Walks of Life in Hilla Medalia’s “Mourning in Lod”
SXSW 2024 Review: “Dory Previn: On My Way to Where” Charts the Journey of a Musician Who Brought Together Different Tracks
Composer Kathryn Bostic on Making Silents Golden with “The Flying Ace” and “Something Good – Negro Kiss”
InterviewsTIFF·9 min readTIFF ’19 Interview: Garin Hovanissian & Serj Tankian on Capturing the Energy Behind a Galvanizing Political Revolution in Armenia in “I Am Not Alone”
InterviewsTIFF·13 min readTIFF ’19 Interview: Adam Goodes, Dan Gordon and Stan Grant on Uniting for “The Australian Dream”
InterviewsTIFF·6 min readTIFF ’19 Interview: Daniel Joseph Borgman on Peeling Back a Self-Contained World in “Resin”
InterviewsTIFF·8 min readTIFF ’19 Interview: Yehuda Nahari Halevi and Yaron Zilberman on Getting Inside the Mind of an Assassin in “Incitement”
InterviewsTIFF·11 min readTIFF ’19 Interview: Odessa Young and David Raboy on Working Towards Something Major with “The Giant”
Interviews·9 min readTIFF ’19 Interview: Cinematographer Todd Banhazl on Contributing to a Breath of Fresh Air In “Blow the Man Down” and “Hustlers”
InterviewsTIFF·8 min readTIFF ’19 Interview: Oualid Mouaness on Fighting to Preserve a Childhood in “1982”
Interviews·16 min readInterview: Cinematographer Bruce Francis Cole on Getting Behind the Visions of Strong Women in “Jinn” and “Solace”
Interviews·6 min readInterview: Justin Chon on Bringing Out New Shades in the Family Drama “Ms. Purple”
Film NewsTo Live and Screen in L.A.·3 min readJoe Carnahan Talks About the Alternate Ending He Shot For “The Grey”
Interviews·7 min readInterview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”