Josh Lambert, Yvonne Lambert and Toto Miranda of The Octopus Project on Bringing Out the Beauty of Bigfoot in “Sasquatch Sunset”
Review: Tragedy Brings Together People of Different Walks of Life in Hilla Medalia’s “Mourning in Lod”
SXSW 2024 Review: “Dory Previn: On My Way to Where” Charts the Journey of a Musician Who Brought Together Different Tracks
Composer Kathryn Bostic on Making Silents Golden with “The Flying Ace” and “Something Good – Negro Kiss”
InterviewsNew York Film Festival·5 min readNew York Film Fest ’19 Interview: Joanna Arnow on the Uncertain Ground Between Land and Sea in “Laying Out”
Interviews·9 min readWoodstock Film Fest ’19 Interview: Julia Kots on a Process Where There’s Never Closure in “Inez & Doug & Kira”
InterviewsTIFF·14 min readInterview: Claes Bang and Dan Friedkin on the Brushstrokes Behind “The Last Vermeer”
InterviewsTIFF·11 min readTIFF ’19 Interview: Deragh Campbell & Kazik Radwanski on Capturing Fresh Air in “Anne at 13,000 Ft.”
Interviews·9 min readInterview: Jacqueline Olive on Revealing the Reverberations of Racism in “Always in Season”
Interviews·11 min readInterview: Jennifer Baichwal, Nicholas de Pencier and Edward Burtynsky on Going to the Ends of the Earth for “Anthropocene: The Human Epoch”
Interviews·16 min readInterview: Samantha Buck & Marie Schlingmann on Dancing Around the Truth with “Sister Aimee”
InterviewsTIFF·8 min readTIFF ’19 Interview: Zaida Bergroth on the Seeds of Distrust That Grow in “Maria’s Paradise”
InterviewsTIFF·8 min readTIFF ’19 Interview: Malgorzata Szumowska on Cottoning Up to a Cult in “The Other Lamb”
Film NewsTo Live and Screen in L.A.·3 min readJoe Carnahan Talks About the Alternate Ending He Shot For “The Grey”
Interviews·7 min readInterview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”