Josh Lambert, Yvonne Lambert and Toto Miranda of The Octopus Project on Bringing Out the Beauty of Bigfoot in “Sasquatch Sunset”
Review: Tragedy Brings Together People of Different Walks of Life in Hilla Medalia’s “Mourning in Lod”
SXSW 2024 Review: “Dory Previn: On My Way to Where” Charts the Journey of a Musician Who Brought Together Different Tracks
Composer Kathryn Bostic on Making Silents Golden with “The Flying Ace” and “Something Good – Negro Kiss”
InterviewsSundance·7 min readSundance 2020 Interview: Janet Goldwater and Mike Attie on Answering the Call in “Abortion Helpline, This is Lisa”
InterviewsSundance·5 min readSundance 2020 Interview: Beth Einhorn on the Sibling Revelry of “The Starr Sisters”
InterviewsSlamdance·11 min readSlamdance 2020 Interview: Lynne Sachs on a Subject Close Enough to Feel Far in “Film About a Father Who”
InterviewsSundance·9 min readSundance 2020 Interview: Bridget Moloney on Building Something Special with “Blocks”
Interviews·9 min readInterview: Alexander Mora on Finding the Right Lens to Tell of the Terror in the Philippines in “The Nightcrawlers”
Interviews·9 min readPalm Springs Film Fest ’19 Interview: Barnabas Toth on Keeping the Memory Alive of “Those Who Remained”
Film NewsTo Live and Screen in L.A.·3 min readJoe Carnahan Talks About the Alternate Ending He Shot For “The Grey”
Interviews·7 min readInterview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”