Josh Lambert, Yvonne Lambert and Toto Miranda of The Octopus Project on Bringing Out the Beauty of Bigfoot in “Sasquatch Sunset”
Review: Tragedy Brings Together People of Different Walks of Life in Hilla Medalia’s “Mourning in Lod”
SXSW 2024 Review: “Dory Previn: On My Way to Where” Charts the Journey of a Musician Who Brought Together Different Tracks
Composer Kathryn Bostic on Making Silents Golden with “The Flying Ace” and “Something Good – Negro Kiss”
Interviews·8 min readInterview: Jeremy Gardner and Christian Stella on Dancing with Darkness in “After Midnight”
InterviewsSundance·7 min readSundance 2020 Interview: Linas Phillips on the Driving Forces Behind “The Ride”
InterviewsSundance·8 min readInterview: Esteban Arango and Erick Castrillon on Getting Loud with “Blast Beat”
InterviewsSundance·8 min readSundance 2020 Interview: Radu Ciorniciuc on a Family That Comes Out of the Wilderness in “Acasa, My Home”
Interviews·10 min readInterview: Marco Bellocchio and Pierfrancesco Favino on Telling a Different Story About the Mafia in “The Traitor”
InterviewsSundance·6 min readSundance 2020 Interview: Brian Knappenberger on a Test of a Scout’s Honor in “Church and the Fourth Estate”
InterviewsSundance·8 min readSundance 2020 Interview: Ryan White on Capturing the Elusive Targets of “Assassins”
InterviewsSundance·9 min readSundance 2020 Interview: Romola Garai on the Horrors You Can’t Shake with “Amulet”
InterviewsSundance·6 min readSundance 2020 Interview: Patricia Vidal Delgado on the Radical Ideas of Love Behind “La Leyenda Negra”
InterviewsSundance·8 min readSundance 2020 Interview: Emily Wilson on Thinking Outside of the Box in “Danny’s Girl”
InterviewsSundance·14 min readSundance 2020 Interview: Elegance Bratton and Jovan James on a Long Night’s Journey to Day in “Buck”
Film NewsTo Live and Screen in L.A.·3 min readJoe Carnahan Talks About the Alternate Ending He Shot For “The Grey”
Interviews·7 min readInterview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”