Josh Lambert, Yvonne Lambert and Toto Miranda of The Octopus Project on Bringing Out the Beauty of Bigfoot in “Sasquatch Sunset”
Review: Tragedy Brings Together People of Different Walks of Life in Hilla Medalia’s “Mourning in Lod”
SXSW 2024 Review: “Dory Previn: On My Way to Where” Charts the Journey of a Musician Who Brought Together Different Tracks
Composer Kathryn Bostic on Making Silents Golden with “The Flying Ace” and “Something Good – Negro Kiss”
Interviews·10 min readDawn Porter on Doing Justice to “Deadlocked: How America Shaped the Supreme Court”
InterviewsTIFF·7 min readTIFF 2023 Interview: Edoardo Gabbriellini on a Loss of Innocence in “Holiday”
InterviewsTIFF·7 min readTIFF 2023 Interview: Paula Hernández on Stirring up a Storm of Emotions in “A Ravaging Wind”
InterviewsTIFF·5 min readTIFF 2023 Interview: Axel Petersén and Joel Spira on Making a Different Kind of Getaway in “Shame on Dry Land”
InterviewsTIFF·7 min readTIFF 2023 Interview: Alain Parroni on Looking Towards Tomorrow in “An Endless Sunday”
InterviewsTIFF·9 min readTIFF 2023 Interview: Hiam Abbass and Lina Soualem on Placing Memories in “Bye Bye Tiberias”
InterviewsTIFF·8 min readTIFF 2023 Interview: Ivete Lucas and Patrick Bresnan on a Celebration of Life in “The Passing”
InterviewsTIFF·10 min readTIFF 2023 Interview: Eva Thomas on Giving Herself the Greenlight to Make “Redlights”
Film NewsTo Live and Screen in L.A.·3 min readJoe Carnahan Talks About the Alternate Ending He Shot For “The Grey”
Interviews·7 min readInterview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”