Josh Lambert, Yvonne Lambert and Toto Miranda of The Octopus Project on Bringing Out the Beauty of Bigfoot in “Sasquatch Sunset”
Andy Brown and Brian Lindstrom on Spotlighting A Musician Before Her Time in “Lost Angel: The Genius of Judee Sill”
SXSW 2024 Review: “Dory Previn: On My Way to Where” Charts the Journey of a Musician Who Brought Together Different Tracks
Composer Kathryn Bostic on Making Silents Golden with “The Flying Ace” and “Something Good – Negro Kiss”
Interviews·11 min readInterview: Nellie Killian on Creating the Space to Listen with “Tell Me: Women Filmmakers, Women’s Stories”
InterviewsSundance·8 min readSundance ’18 Interview: Mor Loushy and Daniel Sivan on Finding Overtures of Peace in the Pages of “The Oslo Diaries”
InterviewsSundance·10 min readSundance ’18 Interview: Cameron Yates & Laura Coxson on the Complex Recipe That Went Into Making “Chef Flynn”
InterviewsSundance·11 min readSundance ’18 Interview: Cathy Yan on Breathing Life Into the Delightful “Dead Pigs”
InterviewsSundance·14 min readInterview: Michael Dweck on the Drive to Keep Going with “The Last Race”
InterviewsSundance·9 min readInterview: Sebastián Hofmann on Taking Audiences For a Trip in “Tiempo Compartido (Time Share)”
InterviewsSundance·10 min readSundance ’18 Interview: Cristina Costantini & Darren Foster on Their Grand Experiment of “Science Fair”
InterviewsSundance·18 min readSundance ’18 Interview: Anna Margaret Hollyman on the Birth of “Maude” and a Career in Directing
InterviewsSlamdance·8 min readSlamdance ’18 Interview: Charlie Birns on Investigating “Human Affairs”
Film NewsTo Live and Screen in L.A.·3 min readJoe Carnahan Talks About the Alternate Ending He Shot For “The Grey”
Interviews·7 min readInterview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”